Luciana Souza with Guillermo Klein
A stellar collision of vocal jazz, Latin music and poetry
Two of South America’s greatest jazz artists, Luciana Souza and Guillermo Klein, join the MIT Wind Ensemble, MIT Festival Jazz Ensemble and MIT Vocal Jazz Ensemble to create innovative new compositions and arrangements. The April 28, 2017 performance will represent the culmination of a semester-long collaboration between Souza, Klein, and three MIT student ensembles. The evening’s highlight will be the world premiere of Works on Hope, a newly commissioned work by Klein for Souza and the MIT Wind Ensemble under the direction of Fred Harris. Also performing with Souza and Klein will be the Festival Jazz Ensemble and the MIT Vocal Jazz Ensemble, which will focus their entire spring semester repertoire on music composed or performed by Souza.
Founded by Music Director Dr. Frederick Harris, Jr. in the fall of 1999, the MIT Wind Ensemble (course 21M.426) is comprised of outstanding MIT undergraduate and graduate students studying a wide range of disciplines. MITWE has been featured on NPR and was the subject of an Emmy-winning PBS documentary. Professional recordings by MITWE have been released on Albany Records, Innova Records and Sunnyside. MITWE’s 2015 Infinite Winds recording received a five-star review from Down Beat and was chosen by the magazine as one of its “Best Albums of 2015 Five-Star Masterpieces”—the first such recognition of its kind for a collegiate ensemble. The Boston Globe called the recording “one of the most compelling of 2015.” Since 2001, MITWE has commissioned 35 original works for wind ensemble by many prominent composers. Gunther Schuller, John Harbison, Michael Colgrass, Evan Ziporyn, Peter Child, Jamshied Sharifi, Guillermo Klein, Don Byron and others have worked with or composed for MITWE. It has collaborated extensively with many of MIT’s ensembles, faculty members, and outside guest artists. MIT Affiliated Artist, composer, and tuba player of the Empire Brass, Kenneth Amis, is the Assistant Conductor of MITWE.
Founded in 1963 by Boston jazz icon Herb Pomeroy and led since 1999 by Dr. Frederick Harris, Jr, the MIT Festival Jazz Ensemble (course 21M.442), is comprised of outstanding MIT undergraduate and graduate students studying a wide range of disciplines. The FJE is a 2013 recipient of MIT’s Laya and Jermone B. Wiesner Award in the Arts. It is the only MIT entity that has earned this recognition three times (previous awards in 1991 and 1982), a testament to its consistent high quality over many decades. FJE has released five professional recordings including its major jazz label debut release on Sunnyside in 2015, Infinite Winds (a joint CD with MITWE). The CD which features FJE performing the world premiere recording of Chick Corea’s From Forever (composed for FJE), received a five-star review from Down Beat and was chosen by the magazine as one of its “Best Albums of 2015 Five-Star Masterpieces”—the first such recognition of its kind for a collegiate ensemble. The Boston Globe called the recording “one of the most compelling of 2015.” The FJE has a long history of performing original music by MIT students and composers from around the world. Since 2001, it has presented over 40 world premieres. Mark Harvey, Herb Pomeroy, Jamshied Sharifi, Ran Blake, John Harbison, Chick Corea, Joe Lovano, Kenny Werner, Don Byron, Steve Turre, Magali Souriau, Guillermo Klein, Bill McHenry, Chris Cheek, Miguel Zenón, Dominique Eade, Eviyan, and George Schuller among others have worked with the MIT Festival Jazz Ensemble.
The MIT Vocal Jazz Ensemble was formed in the spring of 2011, the first and only vocal jazz performance group at the Institute. Founded and coached by Institute Professor John Harbison until the fall of 2015, Boston-based vocalist Liz Tobias is the current director of VJE. The ensemble focuses each semester on one or two composers, exploring both well-known songs and “hidden gems.” In the mix each semester are also a few modern compositions and arrangements, by Harbison and others, and by student members of the ensemble. The nine singers have quickly risen to high recognition not only on campus but throughout Boston. Recent performance opportunities include a professional recording with the MIT Festival Jazz Ensemble of the MIT school song and “A Rhumba for Rafael Reif,” as well as an appearance with the Boston Pops at Boston’s Symphony Hall. VJE’s debut recording Vocal Jazz at MIT: Store-Bought Hair, was released in 2015.
Liz Tobias is a seasoned vocalist and pianist who has been recognized as a “breath of fresh air on the world jazz stage.” A unique mix of soul and sharp technique, Liz draws audiences in with her Australian charm and creative interpretations of works old and new. Residing in Boston, Liz travels regularly around the northeast corner of the U.S., performing in New York, New Hampshire, Maine and Massachusetts.
Liz was recently appointed to the faculty of the University of New Hampshire as their Jazz Choir Director and Jazz voice specialist. She also teaches on faculty at the Boston Arts Academy and MIT, coaching voice lessons and teaching jazz choirs. She is currently pursuing a Doctorate in Musical Arts in Jazz Voice at the New England Conservatory under the guidance of leading jazz performers and educators such as Dominique Eade, Ken Schaphorst, Ralph Alessi, Jason Moran, Fran Carlberg, Cecil McBee, John McNeil, Miguel Zenon, Kate Mcgarry, Jerry Bergonzi and voice-technician Jeannette LoVetri. Liz also holds a master’s degree from New England Conservatory, where she was chosen to work with Grammy award-winning singer Luciana Souza in a special concert featuring Souza’s music. Liz hails from Adelaide, Australia and holds a Bachelor of Music with Honors in Jazz Performance from the Elder Conservatorium of Music.
Luciana Souza and Guillermo Klein’s visit to the Institute is part of MIT Sounding, an innovative annual performance series that blurs the boundaries between contemporary and world music. Curated by Evan Ziporyn, Faculty Director of the MIT Center for Art, Science & Technology, the 2016-17 season of MIT Sounding integrates the avant-garde sounds of ancient instruments and traditional practices with cutting-edge composition and technology to present various visions of a new, evolving music that defies genre.
Brazilian-born vocalist and Grammy winner Luciana Souza is a major figure in the worlds of vocal jazz and Latin music. She has recorded with Klein, Herbie Hancock, Paul Simon and James Taylor, among others. Argentinian composer-pianist Guillermo Klein is celebrated across the globe for his compositions and recordings with his ensemble Los Guachos. His work has been highly praised in The New York Times, DownBeat and Jazziz. He serves on the faculty of the Sibelius Academy and the Jazz Schule Basel.
Grammy Award winner Luciana Souza is one of Jazz’s leading singers and interpreters. Born in São Paulo, Brazil, Souza’s work transcends traditional boundaries around musical styles. Entertainment Weekly writes, “Her voice traces a landscape of emotion that knows no boundaries.” Souza has been releasing acclaimed recordings since 2002—including her six Grammy-nominated records, Brazilian Duos, North and South, Duos II, Tide, Duos III, and The Book of Chet. Her latest offering, Speaking in Tongues, is a brilliant collaboration with Lionel Loueke, Gregoire Maret, Massimo Biolcati and Kendrick Scott. Souza has been a prominent soloist in important works by composers Osvaldo Golijov, Derek Bermel and Patrick Zimmeri, performing with the New York Philharmonic, the Atlanta Symphony, the Los Angeles Philharmonic, the Los Angeles Chamber Orchestra and the American Composers Orchestra.
She began her recording career at age three with a radio commercial. She spent four years on faculty at Berklee College of Music, where she received a Bachelor’s in Jazz Composition. Souza earned a Master’s degree in Jazz Studies from the New England Conservatory of Music and taught for four years at Manhattan School of Music. She has twice been named Best Female Jazz Singer by the Jazz Journalists Association, in 2005 and 2013.
A composer, arranger, pianist and occasional singer, Guillermo Klein began his craft in childhood in Argentina. When his father gave him a piano at age 11, he promptly began writing songs, inspired by the legendary Argentinean composer Astor Piazzolla. Klein attended Berklee College of Music, where his intention to study classical music gave way to his passion for jazz. His colleagues at Berklee—many of whom came from South America—provided the framework for what would eventually become Klein’s main musical voice, the Big Van large ensemble (later called Los Guachos). After graduating from Berklee, Klein moved to New York City and quickly became associated with Smalls, a jazz club where he established a weekly engagement with his 17-piece Big Van band. Smalls was critical in fostering young artists that would ultimately be some of the most influential voices of modern jazz.
Klein scaled the band down to a more streamlined 11-piece unit, known as Los Guachos (roughly translated, the bastards). The band developed in residencies at Smalls and, later, the Jazz Standard. Sunnyside Records soon released two CDs by Los Guachos: Los Guachos II (1999) and Los Guachos III (2002), and Klein is still with this label. Since moving back to Argentina in 2000 with his wife, Klein has recorded with local musicians and has released a series of critically-acclaimed CDs with Los Guachos including: Live in Barcelona (Sunnyside, 2005), Filtros (Sunnyside, 2008) and his latest, Carrera (Sunnyside, 2012). Other important recordings include his work as a composer and/or arranger on Solar Return Suite (with the MIT Wind Ensemble), Domador de Huellas (Sunnyside, 2010), Bienestan (Sunnyside 2011) with Aaron Goldberg and Miguel Zenon’s Grammy-nominated, Alma Aldentro.
Klein plays regularly with some of the most outstanding musicians in the jazz community, like Chris Cheek, Miguel Zenón, Bill McHenry, Jeff Ballard, Ben Monder, Aaron Goldberg, Carmen Canela or Jorge Rossy. In addition to teaching composition in Buenos Aires, Klein has given master classes and seminars throughout Europe, including the Jazz Institut Berlin, Sibelius Academy in Helsinki, Jazz Schule Basel, and Le Mirail in Toulouse.
7:30pm Pre-Concert Talk
Kresge Auditorium, W16
48 Massachusetts Avenue, Cambridge, MA
Part of ArtWeek 2017
Tickets are available here. Tickets will also be available at the door.
Free in advance for MIT students, $5 for MIT faculty, staff, and community members, $10 general admission.
The concert will include a new work for Luciana Souza and the MIT Wind Ensemble, composed by Guillermo Klein based on poetry chosen by Klein.
Two of South America’s greatest jazz artists, Luciana Souza and Guillermo Klein, join the MIT Wind Ensemble, MIT Festival Jazz Ensemble and MIT Vocal Jazz Ensemble in creating innovative new compositions and arrangements. The performance will represent the culmination of Klein’s and Souza’s MIT residency and a semester-long exploration of their music by the three MIT student ensembles. The evening’s highlight will be the world premiere of Works on Hope by Klein for Souza and the MIT Wind Ensemble under the direction of Fred Harris.
During the 7:30pm pre-concert ArtWeek talk, VJE director Liz Tobias and select MIT students will discuss collaborating with Souza and Klein, the rationale behind the project, and the challenges and rewards of developing new works remotely and onsite with guest artists.
Rehearsals and masterclasses with Luciana Souza and Guillermo Klein
New York Times: Review: Luciana Souza’s Instrument, Her Voice
San Diego Union Tribune: Luciana Souza sings, if not speaks, in tongues
Boston Globe: MIT ensembles tackle innovative works on CD, onstage
Down Beat: Best Albums of 2015
Down Beat: Review: Bigger and Better
Fred Harris, Director of Wind and Jazz Ensembles, Department of Music and Theater Arts
Liz Tobias, Affiliated Artist and Vocal Jazz Ensemble Coach