Each episode is nonetheless tightly crafted, down to the music that plays at the beginning. On recent episodes, Zahedi’s longtime friend, the composer Evan Ziporyn, has begun composing a short, distinct piece of opening music for each episode.
In the Media
Wet-on-Wet (2021) is a sonic toolkit for amplifying the waves of emotive molecules in domestic waters inspired by experimentalist Masaru Emoto’s ideas about water as a “blueprint for our reality,” and his work on how different emotional energies and vibrations can … Continued
We humans evolved to survive in a world with specific types of matter and energy; our particular hominid ancestors thrived by favoring interpretation over instinct.
Calendar mention with video footage of Ritchie’s film.
Scientists at the Massachusetts Institute of Technology have turned spider webs into music — creating an eerie soundtrack that could help them better understand how the arachnids spin their complex creations and even how they communicate.
It is an eerie, foreboding, reverberating tune, enough to send a tingle down your spine.
Spiders rely on the vibrations in their webs to perceive their environment, and now we can hear their mysterious music.
Spiders don’t have great eyesight.
A multi-part transmedia artwork exploring the many dimensions of the Massachusetts Institute of Technology
Chi-Yua Yu and Markus J. Buehler from MIT created a computer program that transforms viral proteins into music!
The Coronavirus emergency left the landscape for the arts gloomy, but Guerilla Opera’s thirteenth season had successes which propelled the company into a new era of female leadership and artistry.
A new video re-creates a history that never happened, showing the power of AI-generated media
Artist Anicka Yi Explains Why COVID-19 Is Terrible for Humanity, But Fundamentally ‘Good for the Planet’
The artist says it is counterproductive to ask artists what their role in any given situation is supposed to be.
Translating the genetic code of virus proteins into music helps reveal their intricacies; sounds ‘a little like Zappa’
Years ago, Markus Buehler developed a method to model proteins through music.
Una sorta di carosello onirico sospeso nell’aria, con oggetti di ogni natura che girano in maniera circolare formando un’orbita immaginifica e surreale
From tinkling harmonies as the virus disarms cells to clashing and stormy as it replicates, U.S. scientists have translated the novel coronavirus’ spiked protein structure to music in an effort to better understand the pathogen.
Coronaviruses get their name from the crown of spikelike proteins that surround them. Now, the protein spikes of the novel coronavirus have been turned into an intriguing musical composition — one researchers hope could inspire new ways to fight the … Continued
You’ve probably seen dozens of images of the novel coronavirus—now responsible for 1 million infections and tens of thousands of deaths. Now, scientists have come up with a way for you to hear it: by translating the structure of its … Continued
Last year, MIT researchers announced that they were turning the biochemical properties of proteins into music. Now, they’ve used those musical compositions to create entirely new proteins.
Some scientists teach computers to “see” proteins. Markus Buehler is teaching them to hear the compounds instead
No rule book prohibits someone from playing music on an instrument for which it wasn’t originally written.
Bach’s Six Cello Suites are the beating, deep-souled heart of the cello repertoire.
January 2015. The violinist Johnny Gandelsman — Moscow-born, New York-based, and a member of such restlessly curious groups as the Silk Road Ensemble and the string quartet Brooklyn Rider — is on the small stage of MIT’s Killian Hall.
Violinist Johnny Gandelsman, one-fourth of the Brooklyn Rider Quartet, returns to Boston with his latest Bach project, the complete Cello Suites transcribed for violin.