EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
Anyone who rides public transportation has likely experienced this breach of commuter etiquette: fellow passengers’ oblivion to the tinny blare emanating from their headphones. Students enrolled in “The Harmonic Archive: Music, Sound & Installation Art as Artistic Research” have used … Continued
Ukraine means “borderland, edge or outskirts.” Christine Southworth and Evan Ziporyn’s new collaborative project Borderland: A Cantata for Ukraine, which will premiere this week at Kresge Auditorium at MIT in a performance by Grammy-award winning ensemble Roomful of Teeth, operates … Continued
In their recent talk at the MIT Museum “Reverberations: Spiders and Musical Webs,” CAST Visiting Artist Tomás Saraceno and MIT Professor Markus Buehler (Professor and Head, Civil and Environmental Engineering, MIT) discussed their research in materials and structures inspired by … Continued
“Food is connected to everything—language, texture, tradition,” claimed Chef Dani Lasa of Mugaritz to a packed audience at MIT. Now, the R&D chef can add engineering to that list thanks to Pedro Reis, Associate Professor of Civil and Environmental Engineering … Continued
Suzanne Bocanegra’s performance piece-cum-film, “When a Priest Married a Witch,” is a kind of creative origin story, the portrait of the artist as a young woman. She writes on her website it is “part artist’s talk, part performance, part cultural history, part sound installation.” Showing a rough cut of the film, Bocanegra kicked off CAST’s Spring Sound series as the first in a series of lecture/demonstrations by prominent sound and multimedia artists. Part of the MIT course, Music and Technology, the lecture/demonstrations are open to both students and the general public alike.
In Tomás Saraceno’s most recent installation On Space Time Foam, visitors are invited to enter three clear membranes of plastic suspended 25-meters in the air. The installation creates a new bodily experience, transforming everyday perceptions of space and one’s relationship to others. In this work, he takes as his material and inspiration the basics of physics: mass, energy, space, and gravity. At MIT, he had the opportunity to share his work with physicists Jerome Friedman and Robert Jaffe, Edward Farhi, and Alan Guth from MIT’s Center for Theoretical Physics.
The dream of Saraceno’s ongoing project, “Cloud City,” is not only to live among the clouds but also to create cities more like clouds – changeable, mobile, and responsive to atmospheric shifts. His experimental sculptures, expressing an aerial vision for the future, are often prototypes for incubating an interconnected existence in the sky. At MIT, Lodovica Illari, Adrian Dalca and Michael Rubinstein, and John Hansman shared with Saraceno their expertise on atmosphere and flight, representing the exciting possibilities in hinging visionary thinking to technical expertise, imaginative speculation to material realities.
When asked who the audience was for his work during a public lecture here at MIT, Tomás Saraceno replied, “spiders!” Here we explore the artist’s ongoing interest in biomimicry –- the creative application of natural systems and processes towards human solutions -– through the work of several MIT researchers. Like Saraceno – whose aerial installations take inspiration from spider webs, soap bubbles, neural circuits, and cosmology – faculty Markus Buehler, Neri Oxman, and Dörthe Eisele are similarly interested in harnessing the power of nature to create new materials for a more sustainable future.
