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Sung Tieu: Not Fracking Around

A solo show concurrently on view at MIT, Civic Floor, builds on Tieu’s investigations into a banal genre of psychological discipline: the hostility, violence and paranoia embedded in supposedly neutral bureaucratic spaces and architectures.

June 20, 2023
Nomeda and Gediminas Urbonas, Folke Stone Power Plant, 2017, commissioned by the Creative Foundation for Folkestone Triennial 2017. Credit: Thierry Bal.
Nomeda and Gediminas Urbonas, Folke Stone Power Plant 2017, commissioned by the Creative Foundation for Folkestone Triennial 2017. Credit: Thierry Bal.

“Humanities through material engagement”: Gediminas Urbonas on artistic research

“The notion of ‘artistic research’ has really taken hold and captured the imagination of the art world in the past fifteen years,” explains Gediminas Urbonas, associate professor in the Art, Culture & Technology (ACT) program in the MIT School of … Continued

Takahiko Iimura, TV for TV, 1983. Two identical TV monitors face to face, dimensions variable. Credit: Courtesy the artist and Microscope Gallery, Brooklyn.

Henriette Huldisch on Before Projection: Video Sculpture 1974-1995

“The history of time-based art and technology are entwined,” notes Henriette Huldisch, Director of Exhibitions & Curator, MIT List Visual Arts Center, in her catalogue for Before Projection: Video Sculpture 1974-1995. Yet, we rarely pause to consider how the physical … Continued

Gwenneth Boelens, At Odds, 2015, chromogenic color print (photogram), metal, magnets, chromogenic color print (opaque projection), paper, glass, umbrella frame, tie wrap. Courtesy the artist; Klemm’s, Berlin; Grimm, Amsterdam
Gwenneth Boelens, At Odds, 2015, chromogenic color print (photogram), metal, magnets, chromogenic color print (opaque projection), paper, glass, umbrella frame, tie wrap. Courtesy the artist; Klemm’s, Berlin; Grimm, Amsterdam

Gallery Roundup

  Gwenneth Boelens: At Odds List Visual Arts Center, February 17, 2017 – April 16, 2017 Trained in photography, Gwenneth Boelens (b. 1980 in Soest, NL) is concerned with processes of perception, memory, and time; throughout her work she aims … Continued

Excerpt from “Spider DJs” by Stefan Helmreich

Tomás Saraceno: Arachnid Orchestra. Jam Sessions Arachnid Orchestra. Jam Sessions, on view from October 23, 2015 to December 20, 2015 at Nanyang Technological University Centre for Contemporary Art Singapore, is a new production by CAST Visiting Artist Tomás Saraceno that … Continued

Joel Sternfeld, Looking East on 30th Street on a Late September Morning, 2000. © Joel Sternfeld; Courtesy of the artist and Luhring Augustine, New York.

“Photographing Places”: MIT Museum exhibits a broad spectrum of photographic portfolios featured in Places journal

For Joel Leivick, the Carrara marble quarries — the place where Michelangelo obtained the stone from which he liberated his David — represent a complex geological and cultural terrain. Laura Volkerding’s silver gelatin prints document centuries old craft workshops for … Continued

Gallery installation of mechanical sculptures and projections.

Gallery Roundup

  Thea Djordjadze List Visual Arts Center, October 10, 2014 – January 4, 2015 Combining traditional materials of sculpture such as plaster and wood with everyday objects like foam and linoleum, Thea Djordjadze (born 1971, Tbilisi, Georgia) creates installations of … Continued