1st Place: $15,000- Roots Studio
2nd Place: $1,750- PicFic
3rd Place: $ 1,000- CherryStems
Audience Choice: $250- Goons Art Collective
The 2nd Place, 3rd Place and Audience Choice awards are sponsored by The Martin Trust Center for MIT Entrepreneurship
Creative Arts Competition
Finalists for the 2017 Creative Arts Competition $15,000 Prize were:
Before It’s Too Late – Creates cinematic simulations in VR to create empathy for climate change.
CherryStems – Mobile app that allows users to pick sounds from surroundings and turn them into shareable looped beats called Stems.
PicFic – A publishing platform for artists and writers to create “illustrated serialized fiction” (picfics), a format that caters to mobile reading.
Goons Art Collective – Makes public and political art to educate the public and provide leftist grassroots coverage for the current political situation.
Roots Studio – Digitizes art from rural villages and transforms them into high-end and storied products.
Synchronize – An app/website that allows one to listen to the same music as someone else, either in close proximity or far away.
Sogima Music – Creates a free online educational game to teach and train musical skills, and provides user the experience of playing in an ensemble.
Moo Moo – Provides a curated online marketplace for selling sustainable and ethical fashion items like clothes and accessories from brands and individual makers around the world.
ABOUT THE COMPETITION
This startup competition is designed to encourage arts-focused startups at the Institute. The $15K prize is offered as a grant to help launch the winning enterprise and enable the recipient(s) to join the ranks of MIT’s most successful startup founders.
The Creative Arts Competition offers more than just a prize; in addition, all teams will have access to specialized programming at the START Studio and, MIT’s own arts entrepreneurship incubator and maker space, as well as workshops hosted by the Martin Trust Ctr at the Sloan School.
The workshops are designed to accelerate all ventures during the competition period. Teams will receive mentorship from past prize winners as well as distinguished faculty and alumni from MIT. This mentorship will include pitch preparation, business plan coaching, customer development advising and more.
Teams are expected to develop their business plan over the course of the competition, with assistance from mentors, workshops and staff support. In late April, the Finalists as chosen by our preliminary judges, will submit a pitch deck and present their venture to a live judging panel for their chance at $15,000.
Image: A group makes their pitch during the 2015 Hacking Arts Competition. Credit: Will Gerlach.
- To compete, your venture must have arts at its core: this means your idea either directly promotes the arts or features arts as an intrinsic part of the mission or business model.
- Teams must include at least 1 current MIT student. Currently registered MIT students include all full-time and part-time undergraduates, graduate students, and post-doctoral candidates.
- Each team may enter only one idea.
- Submissions must be the original work of the submitting team.
- The Judging Panel reserves the right to disqualify any entry.
We are looking for ventures that meet the following criteria:
FREQUENTLY ASKED QUESTIONS
1. What does it mean to have arts and design at the core of a business?
- Your business must create, integrate or promote the arts as its primary goal. Examples include a new web platform that connects artists, a game company that focuses on music, a network designed to promote artistic culture, and a company that licenses an algorithm used to collect data points on songs for better searching and disseminating. As long as the arts and/or design are critical to your business plan, you are eligible to compete.
2. How do I apply?
3. What is the judging process?
A panel of leaders from the Arts at MIT will review all the applications. A group of semi-finalists will then be reviewed by our panel of expert judges. Judges may include former and current MIT Visiting Artists, entrepreneurs in the creative industries, local artists, MIT alumni and leaders of the Arts at MIT.
In the initial round, the judges are looking for potential. Make sure to clearly define your vision and potential impact. In the semifinal round, the judges are looking for more mature development of that potential in the business plans, with a clear understanding of your roadmap to success.
4. I’m not ready to apply to the Competition; can I still join the START Studio?
The START Studio arts incubator is currently at capacity; more space may open up later in the semester. Applications typically open at the beginning of each semester and student teams are admitted after a brief interview and orientation sessions.
5. I want to attend the award ceremony. When will it be held?
- The Creative Arts Competition $15K Finale will be:
Monday, May 1, 2017 at 5:00pm
MIT Wong Auditorium
Tang Center, Building E51, Room 115
70 Memorial Drive, Cambridge, MA 02142
Free and open to the public
Register early, seating is limited
6. Can I apply to both the 100K and the 15K Creative Arts Prize?
- Yes, we encourage teams to also apply to the MIT 100K Entrepreneurship Competition. Our programming will not only prepare you for the Creative Arts Prize, but also support teams applying to the final Launch stage of the 100K.
8. Who do I contact with questions about the $15K MIT Creative Arts Competition?
- Contact the $15K Team at
Our distinguished panel of jurors for the 2016 $15K Creative Arts Competition include:
Eran Egozy, ’95
Eran Egozy, Professor of the Practice in Music Technology, is an entrepreneur, musician, and technologist. He is the co-founder and chief scientist of Harmonix Music Systems, one of the pre-eminent game development studios in the world, having developed more than a dozen critically acclaimed music-based video games. Harmonix was founded in 1995 with the mission “to allow everyone in the world to experience the joy making music.” Beginning in 2005, Harmonix developed Guitar Hero and Guitar Hero 2, fueling the explosive growth of the music games category to over $1 billion in sales. Harmonix then created the award-winning franchise Rock Band (including custom games featuring The Beatles, Green Day, and Pearl Jam) which sold over 13 million units. In 2010-2014, Harmonix released the Dance Central series, the first fully immersive, non-controller dance games for the Kinect. More recent titles include Fantasia: Music Evolved, a magical journey through worlds and songs inspired by the classic Disney film and BeatSports, a musical sports game for Apple TV. Eran and his business partner Alex Rigopulos were named in Time Magazine’s Time 100, Fortune Magazine’s Top 40 Under 40, and USA Network’s Character Approved awards.
Eran is also an accomplished clarinetist, performing regularly with Radius Ensemble, Emmanuel Music, and freelancing in the Boston area. He serves on the Boards of several Boston-area non-profit organizations, and mentors and invests in a number of startups in the Boston area. Prior to co-founding Harmonix, Eran earned degrees in Electrical Engineering and Music from MIT, where he conducted research on combining music and technology at the MIT Media Lab.
His current research and teaching interests include interactive music systems, music information retrieval, and multimodal musical expression and engagement.
Marc Steglitz, GM ’66
Chief Operating Officer at the Guggenheim Museum, New York
Marc Steglitz joined the Solomon R. Guggenheim Foundation in July 2002 as Chief Operating Officer. He served as Interim Director of the museum from September 2007 to December 2008. At the foundation, his responsibilities include finance, administrative oversight of affiliate museums, human resources, information technology, facilities, security, visitor services, and exhibition management. Steglitz also oversaw the award-winning restoration of the Guggenheim Museum in New York.
Steglitz completed his BA at the University of Michigan and his MS at the Sloan School of Management at the Massachusetts Institute of Technology.
Marcel Botha, AR ’06
Entrepreneur, engineer, architect and inventor
Marcel Botha founded 10xBETA, a Product Management consultancy overseeing product research, conception, development, manufacturing and launch events on behalf of their clients. 10xBETA’s work spans the consumer, medical and automotive sectors, supported by a global team with specialist experience in every aspect of product and service innovation.
Marcel is a design engineer with a background in computation, assembly engineering and innovation consulting. He has helped innovate financial products, medical diagnostic devices, consumer Internet technologies, and iPad applications.
Artist, filmmaker and 2013 MIT Visiting Artist
Gui Marcondes is a filmmaker from São Paulo, Brazil known for combining different live action and animation techniques to create immersive worlds with a strong focus on art-direction. This style has been applied to projects from TV spots to interactive content for clients as such as British Gas, Google, Hyundai, Audi and Pepsi.
Marcondes is a former Visiting Artist at the Center for Art, Science and Technology. At MIT, Marcondes expanded his work into the terrain of video games in a workshop to develop and prototype spatial narratives. His visit provided an opportunity for writers, producers and programmers to work together on simulating a future environment.
Mary Hale, AR ’09
Artist and Designer at Shepley Bulfinch
Mary Hale is a graduate of MIT’s School of Architecture and Planning where she completed a Masters degree in Architectural Design. While at MIT, Hale developed considerable experience designing and constructing one-to-one scale projects meant to engage the human body. In 2015, Hale was the recipient of the highest award given to associate AIA members.
Jean-Jacques DeGroof, SM ’93, PhD ’02
Jean-Jacques Degroof is involved in the translation of academic research into
innovative ventures through his investment activity, teaching, and mentoring.
He has been an active angel investor in Boston and in Europe since 1999,
where he has supported the launch and growth of a number of ventures, such
as Avedro, Edaris Health, Experion Systems, Seahorse Bioscience, ZipCar,
and others. Earlier, Jean-Jacques worked as a researcher at the MIT
Industrial Performance Center. He was a Sloan Fellow at the MIT Sloan
School of Management and a BCG Fellow at the Mossavar-Rahmani Center
for Business and Government at Harvard University. At MIT, he is a member
of the Visiting Committees for the Sloan School of Management and for the
School of Architecture that report to the MIT Corporation. Jean-Jacques
Degroof started his career in the financial services industry. He obtained an
M.S. and Ph.D. in Management from the MIT’s Sloan School of Management,
as well as academic degrees from the University of Louvain in Belgium. In the
last years, Jean-Jacques has supported MIT’s Hacking Arts, a hack-a-thon at
the intersection of the arts, technology, and entrepreneurship, and the 15K
Creative Arts competition.
2017 Winner: Roots Studio
Our goal is to allow craft communities to thrive and survive in this new, globalized world.
We believe that traditional art is special, unique, and worth holding on to. There are hundreds of thousands of niche traditional art forms around the world — especially India — that are slowly dying out with each generation.
We are building towards a world in which artists have the ability to financially support their families by sharing their culture and traditions in a new and innovative way. We invite you to join us!
Roots Studio uses technology to connect Indian artists from rural villages to the world. We have pioneered a digitization process where each village is connected to the larger world — they have learned how to scan in their artwork, upload corrections and edits to our proprietary site, and sell their pieces to a global community.
2016 Winner: Tekuma
Tekuma’s mission is to display millions of artworks in physical spaces and activate generic spaces with unique art by emerging artists.
Tekuma curates and stages Airbnbs with art, providing a cost effective way to improve the aesthetics and rental appeal of space, allowing Airbnb hosts to capture higher revenue through more bookings and better ratings. The platform is a one-stop shop for online art curation and distribution.
2014 Winner: TapTape (formerly SoundSpark)
2013 Winner: Depict.com (formerly Mediuum)
Depict.com (formerly Mediuum), is a new online platform that helps people discover, display and enjoy art digitally by bringing new art to any wifi-enabled device with a screen. The team of MIT graduate students, computer programmers and artists was awarded $10,000 for the best arts-focused business plan.
“Coming from MIT, the prize establishes our company at the intersection of art and technology.” -Kim Gordon of Depict.com
The Depict.com team includes:
Shambhavi Kadam: MIT (B.S. Aerospace Engineering ’06), MIT Sloan (MBA ’12)
Kimberly Gordon: Columbia (B.A. East Asian Studies & Chinese Literature ’08), MIT Sloan (MBA ’13)
(Depict.com was previously named Mediumm)
Bloomberg Businessweek: “New MIT Business Plan Competition Takes on the Arts”
Worth Magazine: “Q&A with Kim Gordon”
Image: Christopher Nolte and Ana Villanueva of SoundSpark are presented the prize by Leila Kinney, Executive Director of Arts Initiatives at MIT on May 14, 2014.
New MIT Business Plan Competition Takes on the Arts
Francesca Di Meglio
May 23, 2013
The Massachusetts Institute of Technology is not a school you typically associate with the arts. But a new arts-focused business plan competition may change that.
The new prize for innovative use of the arts as a core component of business plans is an extension of MIT’s annual $100K Entrepreneurship Competition, which is student run and is one of the largest and most popular business plan contests in the world. On May 15, the first $10,000 Creative Arts Competition prize was awarded to Mediuum—a sort of iTunes for art, providing access to digitized art works for the masses, started by Kimberly Gordon and Shambhavi Kadam, graduates of the MIT Sloan School of Management.
“MIT is eager to recognize the role of the arts in innovation,” says Sam Magee, coordinator of Student Arts Programs at the university. Encouraging and recognizing teams that might never have signed up for the competition is a nice byproduct, he adds. Besides the financial prize, teams that participate gain feedback and networking opportunities.
The idea for this new competition came to Magee when he was sitting in on business pitches and noticed that many of them could have used an artist’s touch. “This isn’t just about businesses that need a graphic designer or have a beautiful website,” he says. “It’s about businesses with arts at their core.”
The committee for the competition received 40 submissions, but only half met the requirement of having arts at their core. In the end, nine semifinalists were judged by a special panel. The group included Marc Stieglitz, chief financial officer of the Guggenheim, Eran Egozy and Marcel Botha, members of MIT’s Council of the Arts, architect Mary Hale, and MIT visiting artist Guilherme Marcondes.
While the $100K competition offers three contests—launch, pitch, and accelerate—for different stages of new ventures, the arts competition is only for companies at the launch stage at this point. But Magee hopes that the other stages will be added in the future.
Having a competition like this is a culmination of many forces coming together on campus, says Bill Aulet, managing director of the Martin Trust Center for Entrepreneurship at Sloan. About three years ago, MIT’s entrepreneurship program went from focusing on tech-driven to innovation-driven startups. This opened up the program to more people and ideas. There was a focus on getting more women entrepreneurs on board, says Aulet.
Since then, there has been an evolution in startup thinking. “In the old days, you would get a hacker [tech guy] and hustler [businessperson] together, and that would be enough,” says Aulet. “As we moved forward in time, there were different types of entrepreneurs working on the Web, e-commerce, fashion. The tech requirements became smaller. The new element that became important was design, more specifically the user experience. The new person you needed on the team was a hipster.”
Aulet relishes the fact that people don’t expect artists to flourish at MIT. “You never know what to expect at MIT,” he adds. “It’s all about creative irreverence. It’s all about pirates, doing things that have never been done before. When people are surprised by MIT, then we’re doing our job.”