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  • About
  • 2025 Recipient
  • Media Center
  • Past Recipients
  • Arts at MIT Portal
  • Center for Art, Science & Technology
  • School of Architecture + Planning
    • Architecture Department
    • Art, Culture + Technology
    • History, Theory + Criticism
    • Media Lab
  • School of Humanities, Arts, & Social Sciences
    • Comparative Media Studies/Writing
    • Literature
    • Music and Theater Arts
    • Open Documentary Lab
  • Office of the Provost
    • Council for the Arts at MIT
    • Eugene McDermott Award in the Arts at MIT
    • List Visual Arts Center
    • MIT Museum
    • MIT W20 Arts Studios
    • Student Arts Programs

Faculty Projects

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Golden City Album Cover. Courtesy of Miguel Zenón.

Golden City

An extended musical composition for Large Ensemble, inspired by California’s rich and complex history.
A black and white photograph of two people holding a partner acrobatics position.
Professor Jen Light performs partner acrobatics

Thinking on Your Feet

Exploring the potentials of embodied education through dance
Orchestra playing at a stage with violet light setting.
KINETIC. Photo credit: Ben Doyle

Kinetic Ensemble

“Agile virtuosity and vibrant sound… brilliantly executed” — Arts and Culture Texas
Jaffer and Ivi posing for the camera sitting at a desk with a bookshelf behind them.
Jaffer Kolb and Ivi Diamantopoulou, 2019. Courtesy of the artist.

Queer Assemblies

Three installations evoking famed architect Bruce Goff’s eclectic palette
Derek David. Photo Credit: Courtesy of the artist.

Di Fayerdike Libe – Passionate Love – די פֿײַערדיקע ליבע

Exploring modern love through Yiddish music and culture
Landscape image featuring large rock formations and a refined structure similar to a house made out of magma.
Magma Matter, Cristina Parreño Alonso, Courtesy of the artist.

Magma Matter

Reconsidering the aesthetics of function
Ekene Ijeoma, featuring Dr. Kristín Taylor, Dr. Bryan Stanley, Deconstructed Anthems: Nebraska 12 (2015) 2021. Software-generated score, incarceration data, piano, machine-plotted ink drawings, duration 18:12 min. Installation view, Bemis Center for Contemporary Art, Omaha, NE, USA Photo by Colin Conces courtesy of Bemis Center for Contemporary Art.

Deconstructed Anthems: Massachusetts

Sonifying the increasing loss of Black Americans to carceral systems
Joshua Bennett performs America Will Be (2022).

The People’s Poetry Archive

Uniting voices with a living archive of African diaspora poetry
Large scale projection installation at the Arachnodrone:Spider's Canvas performance at Palais de Tokyo.
*Spider's Canvas / Arachnodrone*, Palais de Tokyo, 2018. Credit: Aurelie Cenno.

Arachnodrone

A three-dimensional spider web soundscape
A blurry image of a person dressed in black in a grey gallery
Xavi Laida Aguirre'sProofing: Resistant and Ready at the Venice Biennale, 2023. Courtesy of the artist.

Proofing: Resistant and Ready

Exploring the promises and pitfalls of plasticity
Interior of a Testbeds garden greenhouse
Testbeds Pilot Project, The Garden by the Bay Community Garden in Edgemere, Queens.

Testbeds

A new life for the byproducts of architectural design
Dancer Marcus McGregor dancing in a white tall crown-shaped hat.
Dancer Marcus McGregor in Dan Safer's History of Empires. Credit Christopher L. Hicken.

The History of Empires

Cheerfully nihilistic dance/theater by the iconoclastic Witness Relocation/Dan Safer
Digital rendering of translucent human tree-like forms against a black background.
One of the augmented-reality motifs in the new production of “Parsifal” at Bayreuth, directed by Jay Scheib. Credit: Bayreuth Festival

Parsifal

Augmenting Richard Wagner’s Bühnenweihfestspiel, Parsifal
A digital rendering of the Green Mosque in Balkh, Afghanistan, a 16th Century building.
A digital rendering of the Green Mosque in Balkh, Afghanistan, a 16th Century building. Image: Nikolaos Vlavianos.

Ways of Seeing: Documenting Endangered Built Heritage in Afghanistan

Generating digital twins to document endangered heritage sites in Afghanistan
View of the Totem House installation in a forest.
Installation view of Totem House, by studioSUMO, Crystal Bridges Museum. Image credit: Ironside Photography.

Histories of Negation | BLACK city: The Arkansas Edition

Giving presence to absent histories
Photograph of Kazuko Ishii sits on a desk behind a black rotary telephone.
Kazuko Ishii and a black telephone, TeleAbsence. Image courtesy of Hiroshi Ishii.

TeleAbsence

Addressing the vast emotional distance caused by the loss of a loved one
Map of Native American Nations in Oklahoma.
Map courtesy of the Oklahoma Department of Transportation.

Native America: The Choctaw Music of Charles Shadle

Capturing contemporary classical music by a living Choctaw composer
A dark lit and highly saturated image of a forest.
Ken Urban's The Conquered. Courtesy of the artist.

The Conquered

A new multimedia theater piece inspired by innovations in neurotechnology
Illustrations of a turquoise droplet with bold "splash" text.
Be Aware of Droplets and Bubbles, by Lydia Bourouiba and Argha Manna.

A Paradigm Shift in Infectious Diseases

Critical role of paradigm shifts in science illustrated through respiratory infectious disease transmission
Melissa Isidor standing in Mill Creek with a map of the area.
In Search of the Buried River. At the heart of the story is Mill Creek, a river that was buried in a sewer, and a West Philadelphia neighborhood that bears its name. Credit: Melissa Isidor

Making Change: In Place Over Time

What does it mean for research to be racially just and restorative?
Southeast Chicago Archive and Storytelling Project. Image courtesy of the artist.

Southeast Chicago Archive and Storytelling Project

History is made through the objects we save and the stories we tell about them
DesignEarth's Climate Inheritance, 2021. Courtesy of the artists.

Climate Inheritance

World Heritage at Risk
Installation view of Two Mobility Futures.
Two Mobility Futures, 2022, MIT. Courtesy of the artists.

Two Mobility Futures 0∞

Divergent futures where humans move constantly, or not at all
Installation view of humans in space from the Hammer and the Feather exhibit.
The Hammer and the Feather is an immersive audio and visual installation, developed at MIT by technical instructor Christian Frederickson and visual artist and filmmaker Greg King. Bridging humanistic and scientific inquiry, the piece uses gravity as a poetic and conceptual departure point for musical, visual, and sonic material. Photo by Danny Goldfield https://bit.ly/3a8YjxW Please ask before use

The Hammer and the Feather

Exploring the sonic poetry of gravity
Four professors who co-taught the class, smiling and looking into the cameras.
Queer-Feminist-Antiracism Future and Design for the Future cotaught by Danielle Wood (top left) and J. Austin Eyer (bottom right) with guest artists Jennifer Harrison Newman (center top) and Paul Lieber (bottom center).

Queer-Feminist-Antiracism and Design for the Future

Exploring dynamics of intersectional identities in complex systems and theater
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