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  • About
  • 2025 Recipient
  • Media Center
  • Past Recipients
  • Arts at MIT Portal
  • Center for Art, Science & Technology
  • School of Architecture + Planning
    • Architecture Department
    • Art, Culture + Technology
    • History, Theory + Criticism
    • Media Lab
  • School of Humanities, Arts, & Social Sciences
    • Comparative Media Studies/Writing
    • Literature
    • Music and Theater Arts
    • Open Documentary Lab
  • Office of the Provost
    • Council for the Arts at MIT
    • Eugene McDermott Award in the Arts at MIT
    • List Visual Arts Center
    • MIT Museum
    • MIT W20 Student Art Studios
    • Student Arts Programs

Faculty Projects

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Map of Native American Nations in Oklahoma.
Map courtesy of the Oklahoma Department of Transportation.

Native America: The Choctaw Music of Charles Shadle

Capturing contemporary classical music by a living Choctaw composer
A dark lit and highly saturated image of a forest.
Ken Urban's The Conquered. Courtesy of the artist.

The Conquered

A new multimedia theater piece inspired by innovations in neurotechnology
Illustrations of a turquoise droplet with bold "splash" text.
Be Aware of Droplets and Bubbles, by Lydia Bourouiba and Argha Manna.

A Paradigm Shift in Infectious Diseases

Critical role of paradigm shifts in science illustrated through respiratory infectious disease transmission
Melissa Isidor standing in Mill Creek with a map of the area.
In Search of the Buried River. At the heart of the story is Mill Creek, a river that was buried in a sewer, and a West Philadelphia neighborhood that bears its name. Credit: Melissa Isidor

Making Change: In Place Over Time

What does it mean for research to be racially just and restorative?
Southeast Chicago Archive and Storytelling Project. Image courtesy of the artist.

Southeast Chicago Archive and Storytelling Project

History is made through the objects we save and the stories we tell about them
DesignEarth's Climate Inheritance, 2021. Courtesy of the artists.

Climate Inheritance

World Heritage at Risk
Installation view of Two Mobility Futures.
Two Mobility Futures, 2022, MIT. Courtesy of the artists.

Two Mobility Futures 0∞

Divergent futures where humans move constantly, or not at all
Installation view of humans in space from the Hammer and the Feather exhibit.
The Hammer and the Feather is an immersive audio and visual installation, developed at MIT by technical instructor Christian Frederickson and visual artist and filmmaker Greg King. Bridging humanistic and scientific inquiry, the piece uses gravity as a poetic and conceptual departure point for musical, visual, and sonic material. Photo by Danny Goldfield https://bit.ly/3a8YjxW Please ask before use

The Hammer and the Feather

Exploring the sonic poetry of gravity
Four professors who co-taught the class, smiling and looking into the cameras.
Queer-Feminist-Antiracism Future and Design for the Future cotaught by Danielle Wood (top left) and J. Austin Eyer (bottom right) with guest artists Jennifer Harrison Newman (center top) and Paul Lieber (bottom center).

Queer-Feminist-Antiracism and Design for the Future

Exploring dynamics of intersectional identities in complex systems and theater
Proton Animation. Courtesy of James LaPlante, Sputnik Animation. © MIT and Jefferson Lab, 2021, All Rights Reserved.

Visualizing the Proton

Illustrating the subatomic world
Black and white rendering of exhibition, The Planet After Geoengineering.
Rania Ghosn/DESIGN EARTH, The Planet After Geoengineering, 2021. Courtesy of the artist.

The Planet After Geoengineering

Speculative futures for planet Earth
Installation view of the Play Room Exhibition by Ana Miljački.
Ana Miljački, Play Room Exhibition, MIT Keller Gallery, 2020. Credit: Justin Knight.

Critical Broadcasting Lab

Intervening in contemporary architectural discourse
Game pieces of gem and colorful map of the Promesa Board Game.
Promesa Board Game: Understanding Puerto Rico’s debt crisis through play. Image credit: HErickson/MIT.

Promesa: Voicing Counter Colonialism Through Board Game Creation

Understanding Puerto Rico’s debt crisis through play
A photo of a child in a military uniform reads "How to become a dictator in 12 steps."
How to become a Dictator in 12 steps. Detail from the interface for the Anatomy of Revolution website (in progress). [Photo of child, courtesy the Arab Image Foundation]. 2020.

Anatomy of Revolution

Archiving movements of protest
A black and white photograph of Fabio Tavares (right) observing fellow performer Natalia deCampos (left) looking away from him, down to the left.
Natalia deCampos and Fabio Tavares perform in a workshop of Immense Joy/Hots. Credit: Ana Busto.

Immense Joy / H.o.t.S

Clarice Lispector’s brutal and tender exploration of what it truly means to be poor
Digital illustration of small human forms sitting on four black inflated oval tubes.
Rendering for See Us Seesaw Together. Credit: Ana Miljacki and the Critical Broadcasting Lab.

See Us Seesaw Together

Kinetic connection at a physical distance
Cords and equipment pour out of a broken wooden crate labeled "Hardcell"
Judith Barry, HA®DCELL, MoMA 1995

HA®DCELL

Exploring the life, death, and afterlife of technology
A musical score.
VALIS. Courtesy of Tod Machover.

VALIS

Reimagining live performance interactivity for a new generation
Cristina Parreño Alonso

Cristina Parreño Alonso’s Tectonics of Wisdom

Expanding architecture’s temporal sensibilities through the material ancient wisdom of the library
Three people pose next to a geometric architectural installation.
The Open Collectives team is initiated by MIT’s Future Urban Collectives Lab founded and directed by architect Rafi Segal (back right), in collaboration with MIT Civic Data Design Lab director Sarah Williams (front), artist Marisa Morán Jahn (left), and futurist Greg Lindsay (not pictured). Photo: Marisa Morán Jahn.

Rafi Segal and Marisa Jahn’s Architecture for New Collectives

Tent installation of Azra Aksamija's exhibition, Displaced Empire.
Azra Aksamija, Displaced Empire, 2021. The Imperial Banner depicts refugee designs as a conduit for heritage and cultural reproduction at Azraq. Laser burned drawing on denim. Courtesy of the MIT Future Heritage Lab.

Azra Akšamija’s Displaced Empire

How does Al Azraq Refugee Camp live together?
Viola Ago and Hans Tursack. Courtesy of the artists.
Viola Ago and Hans Tursack. Courtesy of the artists.

Hans Tursack and Viola Ago’s Understorey

Toward a twenty-first century ecological design
Ian Hattwick. Courtesy of the artist.
Ian Hattwick. Courtesy of the artist.

Ian Hattwick’s Instrument Design as Artistic Practice

Discovering new sounds and new forms of music-making
Jay Scheib, The Silence, 2019. Credit: Jay Scheib.

Jay Scheib’s The Silence

Dream worlds collide with real worlds in an endless spiral down
Image credit: Danny Goldfield.
Songs from Extrasolar Spaces featuring Boston's Lorelei Ensemble, 2019.

Elena Ruehr’s Songs from Extrasolar Spaces

Translating the cosmos into music
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