Golden City Album Cover. Courtesy of Miguel Zenón. Golden City An extended musical composition for Large Ensemble, inspired by California’s rich and complex history.
Professor Jen Light performs partner acrobatics Thinking on Your Feet Exploring the potentials of embodied education through dance
KINETIC. Photo credit: Ben Doyle Kinetic Ensemble “Agile virtuosity and vibrant sound… brilliantly executed” — Arts and Culture Texas
Jaffer Kolb and Ivi Diamantopoulou, 2019. Courtesy of the artist. Queer Assemblies Three installations evoking famed architect Bruce Goff’s eclectic palette
Derek David. Photo Credit: Courtesy of the artist. Di Fayerdike Libe – Passionate Love – די פֿײַערדיקע ליבע Exploring modern love through Yiddish music and culture
Magma Matter, Cristina Parreño Alonso, Courtesy of the artist. Magma Matter Reconsidering the aesthetics of function
Ekene Ijeoma, featuring Dr. Kristín Taylor, Dr. Bryan Stanley, Deconstructed Anthems: Nebraska 12 (2015) 2021. Software-generated score, incarceration data, piano, machine-plotted ink drawings, duration 18:12 min. Installation view, Bemis Center for Contemporary Art, Omaha, NE, USA Photo by Colin Conces courtesy of Bemis Center for Contemporary Art. Deconstructed Anthems: Massachusetts Sonifying the increasing loss of Black Americans to carceral systems
Joshua Bennett performs America Will Be (2022). The People’s Poetry Archive Uniting voices with a living archive of African diaspora poetry
*Spider's Canvas / Arachnodrone*, Palais de Tokyo, 2018. Credit: Aurelie Cenno. Arachnodrone A three-dimensional spider web soundscape
Xavi Laida Aguirre'sProofing: Resistant and Ready at the Venice Biennale, 2023. Courtesy of the artist. Proofing: Resistant and Ready Exploring the promises and pitfalls of plasticity
Testbeds Pilot Project, The Garden by the Bay Community Garden in Edgemere, Queens. Testbeds A new life for the byproducts of architectural design
Dancer Marcus McGregor in Dan Safer's History of Empires. Credit Christopher L. Hicken. The History of Empires Cheerfully nihilistic dance/theater by the iconoclastic Witness Relocation/Dan Safer
One of the augmented-reality motifs in the new production of “Parsifal” at Bayreuth, directed by Jay Scheib. Credit: Bayreuth Festival Parsifal Augmenting Richard Wagner’s Bühnenweihfestspiel, Parsifal
A digital rendering of the Green Mosque in Balkh, Afghanistan, a 16th Century building. Image: Nikolaos Vlavianos. Ways of Seeing: Documenting Endangered Built Heritage in Afghanistan Generating digital twins to document endangered heritage sites in Afghanistan
Installation view of Totem House, by studioSUMO, Crystal Bridges Museum. Image credit: Ironside Photography. Histories of Negation | BLACK city: The Arkansas Edition Giving presence to absent histories
Kazuko Ishii and a black telephone, TeleAbsence. Image courtesy of Hiroshi Ishii. TeleAbsence Addressing the vast emotional distance caused by the loss of a loved one
Map courtesy of the Oklahoma Department of Transportation. Native America: The Choctaw Music of Charles Shadle Capturing contemporary classical music by a living Choctaw composer
Ken Urban's The Conquered. Courtesy of the artist. The Conquered A new multimedia theater piece inspired by innovations in neurotechnology
Be Aware of Droplets and Bubbles, by Lydia Bourouiba and Argha Manna. A Paradigm Shift in Infectious Diseases Critical role of paradigm shifts in science illustrated through respiratory infectious disease transmission
In Search of the Buried River. At the heart of the story is Mill Creek, a river that was buried in a sewer, and a West Philadelphia neighborhood that bears its name. Credit: Melissa Isidor Making Change: In Place Over Time What does it mean for research to be racially just and restorative?
Southeast Chicago Archive and Storytelling Project. Image courtesy of the artist. Southeast Chicago Archive and Storytelling Project History is made through the objects we save and the stories we tell about them
DesignEarth's Climate Inheritance, 2021. Courtesy of the artists. Climate Inheritance World Heritage at Risk
Two Mobility Futures, 2022, MIT. Courtesy of the artists. Two Mobility Futures 0∞ Divergent futures where humans move constantly, or not at all
The Hammer and the Feather is an immersive audio and visual installation, developed at MIT by technical instructor Christian Frederickson and visual artist and filmmaker Greg King. Bridging humanistic and scientific inquiry, the piece uses gravity as a poetic and conceptual departure point for musical, visual, and sonic material. Photo by Danny Goldfield https://bit.ly/3a8YjxW Please ask before use The Hammer and the Feather Exploring the sonic poetry of gravity
Queer-Feminist-Antiracism Future and Design for the Future cotaught by Danielle Wood (top left) and J. Austin Eyer (bottom right) with guest artists Jennifer Harrison Newman (center top) and Paul Lieber (bottom center). Queer-Feminist-Antiracism and Design for the Future Exploring dynamics of intersectional identities in complex systems and theater