A new facility under construction will feature rehearsal and performance spaces, a recording studio, classrooms, and music technology laboratories. More than 1500 students enroll in music classes each year at MIT. More than 500 student musicians participate in one of … Continued
Combining digital technology with the human voice, Eugene McDermott Award in the Arts at MIT winner Pamela Z creates layered music from everyday life In the mid-eighties, artist Pamela Z was working at Tower Records on Columbus Street in San … Continued
Sound is a powerfully evocative medium, capable of conjuring authentic emotions and unlocking new experiences. This fall, several cross-disciplinary projects at MIT probed the technological and aesthetic limits of sound, resulting in new innovations and perspectives, from motion-sensing headphones that … Continued
It’s not uncommon, in this day and age, to go to a concert and spot a performer hunched behind a laptop. Head bobbing and fingers flying, she may be doing any number of things: DJing, remixing, playing live backing tracks. … Continued
When I was an art student in New York in 1999, David Bowie visited our school and offered to host images of our work on BowieNet, an ISP he had launched the previous year. Glimpsing Bowie was enough to blow … Continued
CAST Visiting Artist Jacob Collier is well known for his YouTube videos, which the 22-year-old musical phenom performs and produces in his bedroom in North London. Collier’s work has garnered praise from such jazz icons as Herbie Hancock and Quincy … Continued
Musician and computer scientist Ge Wang prefers “those cases when technology takes a back seat to the human proceedings.”
“The project started with a general interest in creation myths”; that is how artist Matthew Ritchie describes the genesis of his multimedia performance piece, The Long Count/ The Long Game. He further explains his approach to such grand narratives began … Continued
It is hard to have a bad time when you are playing a drinking straw as a flute. At the concluding concert for his IAP class, “Small Instruments: Musical Instrument Building & Performance,” Pawel Romanczuk gave the audience their very … Continued
Once again, it is time to sign up for The Independent Activities Period (IAP), a special term at MIT that runs from early January until the end of the month. IAP 2015 will run from Monday, January 5, through Friday, … Continued
Anyone who rides public transportation has likely experienced this breach of commuter etiquette: fellow passengers’ oblivion to the tinny blare emanating from their headphones. Students enrolled in “The Harmonic Archive: Music, Sound & Installation Art as Artistic Research” have used … Continued
Tristan Perich writes music in 1s and 0s. His is an art determined by the binary on/off logic of the computer, an art in search of foundational laws. He is interested in processes, scripts, and scores: cyclical and infinite sets of rules that illuminate the possibilities and limitations of the knowable world.
I first heard Arnold Dreyblatt’s music while couch surfing in the early 1980s, in a loft in what we still were getting used to calling Tribeca. The picture on the album cover was enough to do it for me, but the music was something else entirely. Metallic shards of overtones, emanating from what I eventually learned to be Arnold’s bass, in simple but mesmerizing rhythms, shooting off in all directions, latched onto by other instruments with similarly resonant qualities – his Orchestra of Excited Strings.
The Sonic Banana, both playful and ingenious, is emblematic of Singer’s work. Singer is the founder of LEMUR, the “League of League of Electronic Musical Urban Robots,” a collective of artists and technologists who create robotic musical instruments. A self-described “engineer of very strange things,” Singers works as a musician, artist, and computer scientist to create interactive installations from unusual materials. Created with a DIY ethos, his instruments are playful, interactive, and intuitive. His philosophy: “How do I take things that aren’t musical instruments and turn them into musical instruments?”
Suzanne Bocanegra’s performance piece-cum-film, “When a Priest Married a Witch,” is a kind of creative origin story, the portrait of the artist as a young woman. She writes on her website it is “part artist’s talk, part performance, part cultural history, part sound installation.” Showing a rough cut of the film, Bocanegra kicked off CAST’s Spring Sound series as the first in a series of lecture/demonstrations by prominent sound and multimedia artists. Part of the MIT course, Music and Technology, the lecture/demonstrations are open to both students and the general public alike.