Articles

Visiting musician Clarice Assad applies her inclusive approach to a new project about the Amazon   The accomplishments of Brazilian-American composer, vocalist, and pianist Clarice Assad are many. She has won accolades, earned prestigious residencies, and her work is performed around the world. Last year, her album “Archetypes,” which she recorded with her father, guitarist Sérgio Assad, and the Third Coast Percussion ensemble,…

With her one-of-a-kind musical style, Distinguished Visiting Artist Iva Bittová helps students make music that is authentically their own   On a weekend in September, a group of students from MIT’s Vocal Jazz Ensemble visited CAST Distinguished Visiting Artist Iva Bittová’s house in rural Rhinebeck, New York. When they arrived, the acclaimed Czech singer and violinist was in the front yard wearing Mary…

A new opera by MIT music lecturer Elena Ruehr turns the real-life inventors of modern computing into crime-fighters   Over the course of her career, the composer Elena Ruehr has found inspiration in very different writers and very different worlds: she has set poems by Emily Dickinson and Langston Hughes to music, for example.   Her latest project, “The Thrilling Adventures of Lovelace…

“The Thrilling Adventures of Lovelace & Babbage,” a graphic novel by Sidney Padua, offers a playful take on the lives of Ada Lovelace and Charles Babbage, two seminal figures in the world of computer science. The novel follows their journey as they bring Babbage’s Analytical Engine to life, embarking on a series of adventures filled with humor, espionage, and intrigue in a Victorian…

On Friday at the MIT Theater Arts building, Guerilla Opera presented the world premiere of “The Thrilling Adventures of Lovelace and Babbage,” an adaptation of Sydney Padua’s whimsical webcomic series. 

Architecture students address the urgent need to reframe the relationship between design and time How would we design and build differently if we learned to live at multiple time scales? How would human communities respond to global challenges if the short-term mindset of contemporary life was expanded to encompass new dimensions of past and future—diving into the depths of geological history and projecting…

2022-23 CAST Visiting Artist Andreas Refsgaard engages the MIT community in the ethics and play of creative coding   Sketch a doodle of a drum or a saxophone to conjure a multi-instrumental composition. Look into a webcam, speak, and watch your mouth go bouncing across the screen—the input for a series of charmingly clunky chain-reactions.   This is what visitors to the MIT…

A contemporary reinterpretation of an 18th century ballet at MIT reveals the fragility of orientalist fantasies   A faraway island. An evil magician. A prince transformed into a teapot. A princess on a rescue mission. When the first performance of the Ballet des Porcelaines was staged at the Chateau de Morville in 1739, the orientalist fairytale seemed innocent enough. However, when the art…

For compelling proof that painting is, in fact, alive and thriving in the age of A.I., see “The Garden in the Machine,” Matthew Ritchie’s new show at the James Cohan gallery (through Oct. 15).

With its unconventional premise and solutions-geared gameplay, Promesa stands out from other options already on the market.

Anna Kohler weaves a multifaceted narrative fabric out of images, sounds, text, and expressive movement, commenting on the human condition.

ourey discusses all things sustainability, climate change, and being eco-conscious at your next festival ahead of Above & Beyond’s 2022 Group Therapy Weekender.

A new course explores the impacts of race, sexuality, and gender on the systems of everyday life For Danielle Wood, understanding identity–how experiences of race, gender, sexuality, and ability affect one’s experience of the world–is critical for designing better systems, whether it’s a musical theater show or a spaceship to Mars. These systems, far from being neutral, reflect the biases of society. How…

Departing from games that glorify European conquest, Promesa helps players understand Puerto Rico as a modern-day colony   In the popular board game Puerto Rico, players are placed in the role of colonial governors. Their task, while growing crops on plantations, is to earn points by shipping goods to Europe and owning buildings—the violent project of territorial expansion reduced to a tabletop game…

Emma Kaye, Sloan ’22 and team Cosmosii win 2022 competition   It is a rare competition where every entrant truly wins. This year’s $15K Creative  Arts Competition was one of those. “This felt less like a competition and more like a learning opportunity than any competition I’ve been involved with,” said Zahra Kanji, ’22 IDM and Sloan, one of the competition’s five finalists…

A musician and a visual artist immerse their audience in the science and spirituality of gravity “How ’bout that!” It’s a mild exclamation for a historic moment on the surface of the Moon. In the grainy footage from NASA’s 1971 Apollo 15 mission, astronaut David Scott utters these words after dropping a hammer and a feather side by side, thereby confirming Galileo Galilei’s…

An art-science collaboration tests the limits of visual technologies     Try to picture a proton—the minute, positively charged particle within an atomic nucleus—and you may imagine a familiar, textbook diagram: a bundle of billiard balls representing quarks and gluons. From the solid sphere model first proposed by John Dalton in 1803 to the quantum model put forward by Erwin Schrödinger in 1926,…

For Gediminas Urbonas, the real project isn’t art or design. The real project is language. “At the turn of the last century, artists and designers created a visual language to help explore the complexities of their era–the automobiles and trains and communications that were transforming their lives,” says Urbonas, Associate Professor in the Art, Culture, and Technology program at MIT (ACT.) “Today we…

This show is a marvel of art and science in which the artist literally draws you into his web to share his love of spiders, even allowing you to experience what it is like being one.

This year’s biannual CAST symposium explores the art and science of computation In the popular imagination, artificial intelligence is either a salve or a menace: a bright panacea to optimize our brains and solve all our problems, or a cold interloper threatening our livelihoods, our democracy, and our humanity itself. In bringing together artists, humanists, scientists, and engineers, the MIT CAST symposium, “Unfolding…

A new online exhibit and film explore iterative and generative processes  In 1975, artist Sol Lewitt created a list of instructions for drawing red, yellow, and blue lines on a wall. A piece of conceptual art, the wall could be endlessly painted over, and anyone could execute the instructions again to create the piece anew. In this way, the work, Wall Drawing, never…

There are myriad opportunities for aspiring entrepreneurs at MIT—dozens of incubators and accelerators designed to help shepherd the next big thing in robotics or biotech or quantum computing from blackboard to business.  Students wishing to launch a venture in the arts also have options, including the annual $15K Creative Arts Competition. Created in 2013, the competition invites student teams to submit and develop…

A new art-science collaboration uses molecular structures as creative medium In MIT CAST Visiting Artist Jenna Sutela’s work, which ranges from computational poetry to experimental music to installations and performance, she enlists microbes and neural networks as co-creators. “I want to explore this notion of expanded authorship through bringing in beyond-human life forms,” she said. Inspired by science fiction, she employs both nature’s…

In a new online project, MIT alum Nancy Valladares finds phantoms in Honduras’s horticultural past   In 1932, the British botanist Dorothy Popenoe died after eating a piece of unripe ackee fruit. The fruit, which originated in West Africa, was grown at the Lancetilla Agricultural Experimental Station in Tela, Honduras, a botanical garden founded by the United Fruit Company in the twenties and directed…

For Dr. Daniel Chonde, art, science, and health don’t just enrich each other — they are inextricably intertwined One of the most consequential lessons Dr. Daniel Chonde (SB ’07, PhD ‘15), a third-year resident in radiology at Massachusetts General Hospital, learned as an undergraduate at MIT was about attitude. A physics major, he minored in theater arts and studied with the Class of…

Finding Connection in Isolation Through Design How can we be together? This is the question that designer Thomas Heatherwick asks. The winner of the 2020 Eugene McDermott Award in the Arts at MIT, renowned for his large-scale public projects around the world, Heatherwick is interested in how design, during what he calls “an epidemic of loneliness,” can facilitate human connection in our shared common…

In the late days of January in 2020, Matthew Ritchie staged a beta version of his VR game, The Invisible College, in the U-shaped atrium of MIT’s Physics building, a former century-old courtyard. On the bright grid-like floor designed by Sol LeWitt, audiences wandered in fields of images generated by artificial intelligence, virtual worlds created from datasets that spanned the subatomic to the…

Thom Kubli and Hiroshi Ishii on 3D Printing Floating Sculptures Speculative Machines In Thom Kubli’s “Black Hole Horizon,” a stream of bubbles slides out of a series of three large black horns. With the vibration of the horns churning liquid soap into languorous bubbles, the sound for a brief moment assumes a three-dimensional shape. The bubbles float, giving off a rainbow sheen, until…

Due to MIT’s recently updated policy regarding COVID-19, MIT has cancelled the concert MITSO MOVIES MACHOVER. Thank you for your understanding. March 13, 2020 / 8:00pm / Kresge Auditorium Pre-show Composer Talk / 7:00pm / Kresge Little Theater MIT Building W16 48 Massachusetts Avenue, Cambridge, MA Part of the MIT Sounding series   MIT Sounding concert brings together music with visual images  The symphony, in…

JS Bach: Complete Cello Suites Johnny Gandelsman, violin February 8, 2020 / 7:00pm Kresge Auditorium, MIT Building W16 48 Massachusetts Avenue, Cambridge, MA Reserve a seat Following up on his celebrated debut recording of JS Bach’s Sonatas and Partitas, Grammy award-winning violinist and producer Johnny Gandelsman (Brooklyn Rider, Silkroad Ensemble) returns to MIT with his new project, presenting Bach’s complete cello suites on the…

the wave function collapses harbanger DJ Septet Concert January 16, 2020 / 8:00pm MIT Building W97 345 Vassar Street, Cambridge, MA Reserve a seat Part of the MIT Sounding series See 7 Talented DJ’s Come Together at MIT Sounding In the small, cluttered office where he works—one dominated by piles of books; old, unread magazines; still-wrapped Blu-ray discs; a tall, polychrome figurine of Pam…

DJ Class Offerings in IAP 2020   How DJs Invented Hip-Hop: The Rise and Rise of Turntables in Rap Music January 6–9, 13 & 14, 2020 / 1-3pm (6 sessions) MIT Building W97, Room 160 Though rappers get most of the attention, DJs started hip-hop, and they drive the culture as producers, broadcasters, or artists in their own right. This class will look…

Reserve your ticket to The Silence, part of the MIT Performing Series The Silence Work-in-Progress Performance Directed by Jay Scheib December 12-14, 2019 / 7:30pm Free for students, $5 general admission MIT Theater Building W97, 345 Vassar Street, Cambridge, MA Jay Scheib revisits Ingmar Bergman’s 1963 masterpiece The Silence as part of MIT Performing Since his death in 2007, Ingmar Bergman, the famed…

Thinking Choreographically: A Talk with Constanza Macras Thursday, October 31, 2019 / 7:00pm MIT Theater Building, W97 345 Vassar Street, Cambridge, MA   Boundary-defying dance-theater creator Constanza Macras discusses her approach to text and movement in a lecture as part of MIT Performing. Few who have seen Yorgos Lanthimos’s film The Favourite can forget the scene in which 18th-century courtiers played by Rachel…

By Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn The following excerpt is from the publication Being Material (2019 MIT Press).   At the intersection of art, science, and technology, the book Being Material explores the worlds of materialities and materialisms today: the unexpected convergences in the practices of artists, designers, engineers, and scientists who work with…

The Heart is a Bell: Iva Bittová with MITSO Thursday, October 10, 2019 / 8:00pm MIT Kresge Auditorium, W16 48 Massachusetts Avenue, Cambridge, MA 02139 Free for the MIT community     A unique program presents compositions by two female Czech composers. The MIT Symphony Orchestra (MITSO) begins its 2019-20 season with music inspired by Czech folk music. But instead of the often-played…

Audiences experience Branca’s rarely-heard orchestral music and guitar ensemble. September 20th marked the launch of the 2019-20 MIT Sounding series with the adventurous and often emphatically loud music of an American iconoclast. The Music of Glenn Branca Live: The Glenn Branca Ensemble/Ambient Orchestra gave Boston audiences a rare opportunity to hear Branca’s multi-faceted oeuvre, including his eponymous guitar ensemble, led by Reg Bloor,…

The season highlights personal and collective storytelling in performance. The powerful trifecta of live cinema, dance theater, and social music informs the 2019-20 MIT Performing series through an inspiring season of lectures, prototypes, research residencies and performances, curated by Jay Scheib, Professor for Theater Arts at MIT. Now in its second year, this season of MIT Performing features a richly-layered series of collaborations,…

The year in music features a range of Boston premieres and diverse collaborations.  Now in its eighth year, 2019-20 MIT Sounding presents another season of wide-ranging musical offerings that have found a vibrant home at MIT. “The program feeds the hunger of a diverse audience for music at MIT,” says Evan Ziporyn, faculty director of the MIT Center for Art, Science & Technology…

Songs from Extrasolar Spaces: Music Inspired by TESS Tuesday, July 30, 2019 8:00-8:30pm: Public Lecture George Ricker, TESS Principal Investigator; Sara Seager, TESS Deputy Director of Science; and Natalia Guerrero, TESS TOI Manager 8:30-9:00pm: Program of music by Lorelei Ensemble Featuring world premieres of new works by John Harbison and Elena Ruehr Free and open to the public, but tickets are required: Reserve…

Third Mellon grant brings the Mellon Foundation’s total support for CAST to $4,000,000 through 2024 “CAST was established in 2012 with a grant from the Andrew W. Mellon Foundation,” said Faculty Director Evan Ziporyn and Executive Director Leila Kinney,” and we are grateful for the Mellon’s ongoing support, particularly with this third consecutive grant that will provide an extraordinary 12 years of continuous…

Michael Bove and David Levine collaborate with MIT students to push the boundaries of 3D cinema. Imagine walking into a darkened room. As your eyes adjust, a figure, floating in space, beckons. You get closer. The story begins. Welcome to Volumetric Cinema, and the entrancing visualization of 360-degree 3D holographic cinema. The project began in a January 2019 IAP class led by V….

The Haitian poet and rapper discusses the rich outcomes of a week-long residency at MIT. Can art, poetry and music generate social change? That question was  enthusiastically explored this April during a visiting artist residency with Haitian poet and rapper BIC. The week-long visit included workshops, classroom collaborations, and two concerts, both on and off-campus, as part of the 2018-19 MIT Sounding Series,…

The MIT PhD student explains how the study of visual perception can translate students’ creativity across domains. Computational neuroscientist Sarah Schwettmann is one of three instructors behind the cross-disciplinary course 9.S52/9.S916 Vision in Art and Neuroscience, which introduces students to core concepts in visual perception through the lenses of art and neuroscience. Supported by a faculty grant from the Center for Art, Science…