Schubert Feeds the Hungry
Sunday’s Music for Food concert in MIT’s Killian Hall offered three contrasting chamber works within its theme of the year: “Schubert’s Vienna/Our Boston.”
EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
Sunday’s Music for Food concert in MIT’s Killian Hall offered three contrasting chamber works within its theme of the year: “Schubert’s Vienna/Our Boston.”
For the fourth consecutive year, America’s MIT has been ranked the top university for architecture in the world. What does head of architecture Meejin Yoon think is its secret?
At just 34, Brooklyn-based artist Adam Pendleton has proved himself capable of generating such phenomena.
Last Saturday at Kresge Auditorium the annual Terry and Rick Stone Concert of the MIT Center for Art, Science and Technology (CAST) and the MIT Music and Theater Arts celebrated the 50th anniversary of the Boston recital debut of Marcus Thompson, … Continued
One of only a few African Americans to find success in classical music, violist Marcus Thompson has garnered critical acclaim since the start of his illustrious career.
Audra McDonald is this year’s recipient of the Eugene McDermott Award in the Arts at MIT, and as such she joined students and staff for a short residency.
“Art + Tech: A Citywide Collaboration,” now rolling out in more than a dozen museums and universities around Boston, throws a wide, easy net over digital art, a medium so common that almost any American city could coordinate cross-institutional programming.
While the deCordova focuses on an evolution in video art, the MIT List Gallery in Cambridge focuses on the early stages of internet art with the use of bulky monitors and projection devices.
When Judith Barry was invited to make a new mural for the Isabella Stewart Gardner Museum’s façade, one image haunted her: a photo of people in an inflatable boat, shot from a drone.
The Cantata Singers was founded more than half a century ago to explore the music of Bach, and the loyalty of its stalwart audiences is the kind of thing that makes Boston’s music scene unique.
It’s not often that you look at an exhibition with the help of the very apparatus that is its subject.
“Lamentations,” a new work for vocal soloists, chorus, and orchestra by Peter Child, is a piece that resonates in a variety of ways with the history of the Cantata Singers, the group for whom it was written.
Purcell’s “Dido and Aeneas” is one of the most beloved operas in the repertory.
This shed-like pavilion by artist Matthew Mazzotta features a cloud-shaped element over its corrugated roof, which rains whenever someone sits inside.
Cooper is not in the pantheon of “great men” of graphic design, despite being the rare or even singular figure whose achievements were marked in both print and digital media.
This February, 12 Boston-area arts organizations will band together to present a sprawling series of exhibitions exploring the symbiotic relationship between art and technology.
A pioneering photojournalist hopes VR can restore war photography’s dramatic power to influence and inform us.
“Mosque Manifesto” by artist Azra Akšamija is showing at The Anderson, the exhibition and program space for VCUarts, the School of the Arts at Virginia Commonwealth University.
Virtual Reality isn’t a mere fad which will come and go – it is technology that will soon turn empirical experience on its head.
Evening Standard Radio 2 Audience Award for Best Musical was presented to Bat Out of Hell.
Peek into the MIT Museum on Mass. Ave. in Cambridge, and you may glimpse a slightly odd scene: a group of people huddled together, wearing sci-fi-looking headsets.
As the fall semester draws to a close and — while avoiding studying for finals — you consider redecorating your sparse dorm room, try to think bigger than the usual arrangement of postcards, posters, and Polaroids.
As a photojournalist, Karim Ben Khelifa has been on the frontlines of wars and international conflicts — including in Iraq and Afghanistan — observing and documenting them through his camera lens.
The Massachusetts Institute of Technology has commissioned new public artworks by Olafur Eliasson and Nick Mauss, due to be unveiled in fall 2018.
Slip the straps of the eight-pound backpack over your shoulders, buckle it around your waist, and try not to tense up as an attendant tightens your virtual-reality headset.