
String theory
Experience is both a book about design and a design experience – with bits of string and a heat-sensitive cover. Review by John O’Reilly.
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Leah Talatinian
Senior Officer for Marketing and Communications
Experience is both a book about design and a design experience – with bits of string and a heat-sensitive cover. Review by John O’Reilly.
Neri Oxman and the MIT Mediated Matter group have unveiled their latest collection of 3D-printed death masks, designed to contain the wearer’s last breath.
David Deveau devotes his upcoming Kresge recital to the final two Schubert piano sonatas: the A Major (D.959) and in B-flat Major (D.960).
Last November, during the climate summit in Paris, the Icelandic installation artist Olafur Eliasson transported twelve icebergs from Greenland to the Place du Panthéon for a piece titled “Ice Watch.”
Karim Ben Khelifa is a photojournalist who has worked across the globe, documenting a multitude of wars and conflicts.
On a cold, rainy New York morning after the Hugo Boss Prize party at the Guggenheim last week, the artist Anicka Yi was mulling over the events of the night before, and her thoughts immediately went to her people.
Cambridge, Mass.- Sitting in a conference room at a hotel near the Massachusetts Institute of Technology here, I slip on large headphones and an Oculus Rift virtual reality headset and wriggle into the straps of a backpack, weighed down with … Continued
Halloween started early this year. I’d put the date at July 18, opening night of the 2016 Republican National Convention.
The artist Pedro Reyes is a biting social critic whose pieces often hold out hope — in the face of overwhelming evidence to the contrary — that things will get better.
Massachusetts Institute of Technology has announced that Pedro Reyes will launch a new residency program as the institution’s inaugural Dasha Zhukova Distinguished Visiting Artist.
The Massachusetts Institute of Technology announced today that Mexico City–based artist Pedro Reyes will be the center’s first Dasha Zhukova Distinguished Visiting Artist.
When exposed to a continuous music installation for a period of several hours, your body starts to organically follow the flow of the music.
CAMBRIDGE — Humans excel at finding solutions to “problems” that don’t always justify the description. That’s to say, we inflate “predicaments” (the word suggests a certain awareness of fate) into problems and then invent brilliant solutions. Viagra, for instance.
The inventor of 4D printing and co-director of MIT’s Self-Assembly Lab discusses his research, the design technologies he’s most anticipating, and the role of failure in the pursuit of innovation.
Since 1895, cultural institutions from around the world have gathered at the Venice Biennale to present the latest developments in their country’s visual arts, performance, and design.
The 32nd São Paulo Biennale, due to open on 10 September (until 10 December), will play host to an installation of objects created by an unusual “designer”: the vegetative fungus mycelium.
David Adjaye tells us why The National Museum of African American History and Culture, opening in September, challenged him like never before.
Berklee College of Music and the MIT Media Lab are leading a new initiative they hope will one day solve complicated, expensive music industry issues involving licensing, distribution and ownership rights.
FROM 3-D PRINTING EXOSKELETONS TO CREATING BIODEGRADABLE ARCHITECTURE, THE MIT MEDIA LAB PROFESSOR IS PIONEERING NEW HYBRIDS OF ENGINEERING AND BIOLOGY.
A full-scale prototype for a droneport designed by Foster+Partners built on site in the Arsenale in Venice, was unveiled at the 15th International Architecture Biennale on Thursday 26 May.
Crowdfunding campaigns often rely on perks to entice people to contribute. Usually, it’s stuff that’s not all terribly interesting – a signed copy of something or other, or worthless swag like a bumper sticker or ballcap.
Painter Tala Madani’s show in St. Louis provided a concise primer on her work, featuring her hallmark subject: men, nude or almost so, perhaps Middle Eastern and probably middle-aged, in situations both abject and humorous.
America’s great art museums tend to shy away from showing genuinely disturbing art.
If a machine could write dramas, what would they be? This is the idea that London-based artist collective Villa Design Group explores with The Tragedy Machine, their waggish, new exhibition at the MIT List Visual Arts Center in Cambridge, Massachusetts.
The Grand Prize jury will be joined by five category award jurors to award half of the $500,000 in prizes at ArtPrize Eight this fall.