EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
The project “Enemy” is born of “frustration”, is a war correspondent Karim Ben Khelifa. “The frustration of not being to the height of the journalism I wanted to do, that I had idealized.”
“… there’s been a resurgence of interest in the idea of inviting artists to observe, learn and work within mainstream government agencies and institutions, among entrepreneurs and scientists as well as among the artists themselves.”
Jacob Collier calls from Chile, where he’s in the middle of a South American tour.
The art world has become increasingly professionalized, which means a Master of Fine Arts degree is now often a necessary step on the road to gallery representation and critical acclaim.
LONDON — When’s the last time it felt as if an entire theater were about to levitate?
GWANGJU – “I love the idea of flying in the air with your feet on the ground,” multidisciplinary Argentinian artist Tomas Saraceno said during an interview before the opening of his first Korean solo exhibition here in this southwestern city … Continued
Fashion designer and Massachusetts College of Art and Design alumna Erin Robertson is used to the question “When are you leaving Boston?” But the 30-year-old Utah native has no plans to relocate any time soon.
BOSTON (CBS) – The Massachusetts Institute of Technology is doing its part to keep kids engaged and enriched while school is out, avoiding the dreaded “summer slide.”
Art and technology don’t always go hand-in-hand. Historically, the art world has been decidedly reluctant to adopt technological advances as a means of creating and disseminating art.
The project, called The Enemy, is showing as a part of the Tel Aviv International Student Film Festival until Saturday and is the brainchild of veteran war photographer Karim Ben Khelifa.
Twenty-two years ago Nicholas Negroponte, MIT Media Lab co-founder, predicted that “being digital” would lead to a future with fewer material constraints.
Two recent conferences at MIT and the New Museum reveal the benefits, and pratfalls, of art and science collaborations
I went to see “An Inventory of Shimmers: Objects of Intimacy in Contemporary Art” at the MIT List Visual Arts Center with what felt like illicit anticipation.
Alvin Lucier is a composer and sound-theorist who has worked with experimental music since the early 1960s. His many works include the electronic sonification of brainwaves and I Am Sitting in a Room, an epochal piece from 1969 for which … Continued
Researchers at the Massachusetts Institute of Technology have developed a revolutionary new form of 3D printing that can produce large objects such as chairs in a fraction of the time of regular printers.
“Being Material,” held on April 21st and 22nd, was a two-day symposium hosted by MIT’s Center for Art, Science & Technology.
Bacteria are – like nearly every other life form – social beings, responding to their neighbors and surroundings in intricate ways.
Biotechnology is going to “govern the next decade of thought” at research institutions like the MIT Media Lab, says its founder Nicholas Negroponte.
Argentinian artist’s solo show in Buenos Aires also includes a sound piece played by an arachnid.
Dezeen is visiting the Massachusetts Institute of Technology for the Being Material conference this week.
When Anicka Yi began making art in her late thirties with no formal training, her entry point was unusual: a self-directed study of science.
While it’s known as one of the most iconic rock albums of our time, Meat Loaf’s Bat out of Hell was originally written as a musical by king of the power ballad, Jim Steinman.
The famous warning never to work with animals or children seems not to have reached Tomás Saraceno.
David Bowie’s “Blackstar” was from the very start an album fundamentally concerned with transformation.
Maya Beiser is a certified cello goddess not only because her Twitter handle is actually @CelloGoddess, but because she redefines every aspect of what it means to be a cellist in the contemporary context
