ANTONY GORMLEY with Allie Biswas
Antony Gormley’s career spans thirty-five years, beginning with his first solo exhibition, at the Whitechapel Gallery in London, in 1981.
EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
Antony Gormley’s career spans thirty-five years, beginning with his first solo exhibition, at the Whitechapel Gallery in London, in 1981.
Performance artist Viktoria Modesta’s black prosthetic leg, which she wears during her music video Prototype, currently showing at MFA’s “#techstyle” exhibit, raises questions about “how a different body silhouette can provoke unexpected emotions,” says Modesta.
Now a famed musical artist, innovation enthusiast and bionic woman Viktoria Modesta’s journey to the spotlight has been anything but ordinary.
In 2007, composer Keeril Makan began practicing a meditation form known as Vipassana, which involved long stretches of silence, and during retreats he would sometimes go a week without speaking.
As a graduate student at the respected M.I.T. Media Lab, Marcelo Coelho collaborated with the artist Vik Muniz to help him achieve a poetic and technical feat that teases the imagination: drawing a picture of a castle on a single … Continued
The frame music puts around time is also a magnifying glass. In an everyday context, 5½ hours might be an unremarkable interval; in the context of Morton Feldman’s String Quartet No. 2, it was practically an epoch.
Best known for his elaborate copies of iconic images from pop culture and the Western art-historical canon, São Paulo–born artist Vik Muniz is now the recipient of a midcareer retrospective, consisting of 120 photographs and three sculptures, dating from 1989, … Continued
For COP21 Paris, Saraceno presents at the Grand Palais Aerocene, the first of a series of air-fuelled sculptures that will float in the longest, most sustainable journey around the world.
When Harpers Bazaar dubbed Moscow-born, LA-raised Dasha Zhukova the “newly crowned queen of the international arts scene,” we couldn’t help but pay attention.
The gift from Dasha Zhukova provides support to endow a vibrant, ongoing residency organized by the MIT Center for Art, Science and Technology (CAST) open to creators from art, architecture, or design.
Russian philanthropist and art collector Dasha Zhukova will give $1 million to the Massachusetts Institute of Technology to endow a brand new visiting artist program at the MIT Center for Art, Science and Technology, it was announced today.
Dasha Zhukova is a Russian American philanthropist, entrepreneur, and art collector as well as the founder of Garage Museum for Contemporary Art in Moscow.
Ellenbogen, an underwater photographer, and Adams, a theoretical physicist at MIT, were on their way to Patagonia, where they were scheduled to teach a three-week class on marine photography and also shoot a breeding ground for elephant seals.
The American composer Keeril Makan, far from being intimidated, was clearly inspired to take it on, judging from the effectiveness of his “Persona,” a chamber opera with a libretto by the director Jay Scheib, closely adapted from Bergman’s screenplay.
Three different interpretations of chamber opera, not one of which belongs in a conventional opera house, came to New York last week.
The music of Keeril Makan, a professor at M.I.T., is empowered by modern technology but haunted by a spirit of immemorial darkness.
On October 23 & 24, Persona, a new opera from composer Keeril Makan and adaptor / librettist / director Jay Scheib, will make its world premiere at National Sawdust.
As part of the national debate over race relations, Render has appeared on CNN and HBO’s Real Time with Bill Maher, and has guest-lectured at MIT—speaking out on #BlackLivesMatter, media stereotypes against African American males, and police brutality.
Beiser sounds like she’s reaching deep into these songs to find personal expression within their boundaries, as would a player of classical repertory.
“Since its inception in 2012, CAST has provided grants for more than 20 artist residencies and collaborative projects with MIT faculty and students, 12 cross-disciplinary courses and workshops, two concert series, and numerous multimedia projects, lectures, and symposia. This is no … Continued
Hip-hop’s most trusted sound engineer—he’s worked with Jay-Z for the past 16 years—is lending his talents to Silicon Valley and the next generation of sound innovators.
Killer Mike views rap as social activism, and never shies away from sharing his opinions on race and abuses of power.
MIT’s Center for Art, Science, & Technology (CAST) has been given $1.5 million from the Andrew W. Mellon Foundation for the purpose of supporting the center’s “multidisciplinary creative experimentation and integration of the arts across all areas of MIT.”
The Andrew W. Mellon Foundation has given MIT’s Center for Art, Science, and Technology $1.5 million, bringing its total support for the center to $3 million since 2012.
The MIT Center for Art, Science & Technology (CAST) is getting another $1.5 million from the Andrew W. Mellon Foundation.