EDITORIAL DIRECTOR
Leah Talatinian
Director of Communications
The MIT List Center is paying homage to a man whose name you might not know, but whose multimedia work probably influences a lot of the culture you love.
Visit Cambridge’s MIT Museum to learn how one of the university’s earliest graduates affected the boatbuilding industry and created six America’s Cup winners, among other innovative vessels.
Hard as it is to make the weight of history visible, it’s so much more so to show its absence. In her rather astonishing show “Imagined Communities,” Mila Teshaieva manages to do both. It runs through Feb. 28 at the … Continued
Carissa Rodriguez’s exhibition The Maid is currently on view at the MIT List Visual Arts Center.
The Beautiful Brain exhibit at the MIT Museum, Lexington Tattoo and Muster, Pugs Take Boston, and more.
Many creative scientists have artistic inclinations. The drawings of Santiago Ramón y Cajal, the father of neuroscience, are a beautiful example.
From the start, photography has been binary.
The Massachusetts Institute of Technology (MIT) is pleased to announce the world premiere of Manufacturing Mischief, a new satirical play by Pedro Reyes that features puppet characters based on Noam Chomsky, Karl Marx, Ayn Rand, Elon Musk and “Tiny Trump.”
Sunday’s Music for Food concert in MIT’s Killian Hall offered three contrasting chamber works within its theme of the year: “Schubert’s Vienna/Our Boston.”
At just 34, Brooklyn-based artist Adam Pendleton has proved himself capable of generating such phenomena.
It’s not often that you look at an exhibition with the help of the very apparatus that is its subject.
Once I put on the goggles and strapped the eight-pound backpack around my waist, the museum and its staff disappeared.
A virtual experience at MIT explores urgent questions about the nature of war photography, photojournalism, and the purpose of photographs taken during a conflict.
A pioneering photojournalist hopes VR can restore war photography’s dramatic power to influence and inform us.
Peek into the MIT Museum on Mass. Ave. in Cambridge, and you may glimpse a slightly odd scene: a group of people huddled together, wearing sci-fi-looking headsets.
As the fall semester draws to a close and — while avoiding studying for finals — you consider redecorating your sparse dorm room, try to think bigger than the usual arrangement of postcards, posters, and Polaroids.
At the MIT Museum, a new virtual reality exhibition conceived by photojournalist Karim Ben Khelifa takes participants face-to-face with opposing combatants in international conflict zones.
Visitors to war photojournalist Karim Ben Khelifa’s project experience the humanity in people on both sides of conflicts.
“Most of us will never know what it feels like inside a war zone. The new exhibit at the MIT Museum is offering an emersion experience like few others.” (Segment begins at 18:40)
Walking by the MIT Museum is intriguing this fall — a quick peek through its Mass Ave windows shows patrons decked out in heavy goggles and backpacks meandering through a mostly empty space.
Few photographers have so emphasized the reaction to light as György Kepes did.
Today’s show: “An Inventory of Shimmers: Objects of Intimacy in Contemporary Art” is on view at the MIT List Visual Arts Center in Cambridge, Massachusetts through Sunday, July 16.
CAMBRIDGE — Every now and then you’ll hear a loud “Clop!” as you walk through Gwenneth Boelens’s show at the MIT List Visual Arts Center.
Until recently, much of Andrea Crespo’s artwork has involved a pair of conjoined twins named Cynthia and Celinde.
A woman stands mournful, her gaze fixed to the ground. She holds an umbrella above her, though there seems to be no rain.
