Thom Kubli

Exploring the boundaries of physical space and floating structures

Multidisciplinary artist and composer Thom Kubli will collaborate with Jerome B. Wiesner Professor of Media Arts and Sciences Hiroshi Ishii and members of the Tangible Media Group at the MIT Media Lab to develop a 3D printer capable of creating ultra-light hollow shapes filled with helium. The sculptures released from the machine ascend to the upper realm of space, where they are caught in a thermal stream and eventually float in an orbital movement.

Kubli and Ishii will work with researchers in Materials Science and Engineering as well as faculty in Architecture to determine the necessary properties for a lighter-than-air printing material and investigate construction algorithms for 3D-printed objects that take into account particular material properties in relation to an embedded helium core.

Kubli envisions the sculptures as artistic references to other objects that have had cultural impact in the pantheon of modernity, such as spacecraft and smartphones. The sculptures will circulate for an unlimited period of time in zero gravity, as a new form of space debris that evokes the encyclopedic collections of objects found in Wunderkammer, the cabinets of curiosities of the European Renaissance.

The prototypes developed at MIT will be used in an installation intended to transform the original significance and material culture of objects and create an alternate metaphysical reality. The artist seeks to deprive objects of their weight, both conceptually and practically, and have them join a future transcendent vortex.

Thom Kubli draws inspiration from the fields of musical composition, sculpture, architecture, natural science and new technologies. His poetic explorations of material, sound and technology investigate critical dispositions in global social and political processes. Kubli’s installations and performances are multidisciplinary, blending elements of bioengineering, materials science and artificial intelligence with the invention of kinetic machines and sonic environments.

In his early works, Kubli created sound sculptures by means of collagen, genetically modified plants and other organic matter. In 2008, he achieved the world record for the longest guitar solo ever played during an art performance. Engaging with the theme of zero gravity, Kubli’s installation FLOAT! Thinktank 21 (2010) aimed to explore the political dimensions of weightlessness using historical NASA technology in the form of a sensory deprivation tank. Black Hole Horizon (2012–16) delved into the architectural and sculptural potential of soap bubbles, resulting in an array of machines that transform sound into 3D objects. In a recent installation, he investigated the manipulation of media information by means of artificial intelligence.

Kubli’s artwork has been exhibited at the New Museum in New York City, Eyebeam, EMPAC, Marian Spore NYC, Laboratorio Arte Alameda in Mexico City, LABoral, MARCO, Akademie der Künste in Berlin, Transmediale in Berlin, Ars Electronica in Linz, FILE-Festival in São Paulo and The Lowry in Manchester. His composition pieces and experimental radio plays have been widely broadcast through European Public Radio stations.

More on the artist’s website: Thom Kubli

Wired: Artists Fight Gravity In Dancing On The Ceiling

Ars Electronica: Black Hole Horizon: Sounds into Soap Bubbles

 

Hiroshi Ishii, Jerome B. Wiesner Professor of Media Arts and Sciences and Associate Director, Media Lab, MIT

Krysten Van Vliet, Associate Provost and Michael (1949) and Sonja Koerner Professor of Materials Science and Engineering, MIT

Skylar Tibbits, Assistant Professor of Architecture and Founder and Co-Director of the Self-Assembly Lab, MIT

Thom Kubli with Black Hole Horizon, Rensselaer Polytechnic Institute. Credit: Argeo Ascani.
Thom Kubli with Black Hole Horizon, Rensselaer Polytechnic Institute. Credit: Argeo Ascani.