A multi-colored sound wave is juxtaposed on a photo of a white gallery with a dense web of black fibers
2014 CAST Symposium

Seeing/Sounding/Sensing

SEEING / SOUNDING / SENSING
A symposium hosted by the MIT Center for Art, Science & Technology (CAST)

September 26-27, 2014
MIT Media Lab, 6th Floor
75 Amherst Street, Cambridge, MA 02139

Art, science, and technology are ways of knowing and changing the world. These disciplines frequently draw from one another, yet their devoted practitioners rarely have the opportunity for high-level intellectual and cultural exchange. “Seeing / Sounding / Sensing” was an intensive two-day event at MIT that invited creative artists to join with philosophers, cognitive neuroscientists, anthropologists, historians and scholars from a range of disciplines in an open-ended discussion about knowledge production. The two-fold goal was to challenge each domain’s conventional certainty about “what is known,” “how we know it,” or “how we can know more” and to stimulate new issues for possible cross-disciplinary scholarship in the future.

A man looks into a miscroscope.
Image: Vik Muniz at MIT. Credit: L. Barry Hetherington.

Visiting Artists

The MIT Center for Art, Science & Technology (CAST) Visiting Artists program is distinctive for its emphasis on the research and development phase of artistic work.  In addition to presenting new work, residencies embed artists in the ongoing research and teaching at MIT, where scientists and engineers are open to artists’ speculative and hands-on way of working.  The program hosts artists from a wide range of visual and performing arts disciplines each academic year, exposing students to the creative process and fostering cross-fertilization among disciplines.

The Dasha Zhukova Distinguished Visiting Artist Program, launched in Fall 2016, creates the opportunity for artists to shape new creative projects over a period of two years of sustained, in-depth research and development.

Visiting Artist Collaborations are supported by the Ida Ely Rubin Artists in Residence Fund, Abramowitz Memorial Lectureship Fund, and the Alan W. Katzenstein (1942) Memorial Fund.

Read more about the programs that CAST has sponsored in the 2012-14 Program Report (PDF), 2014-15 Program Report (PDF), 2015-16 Program Report (PDF), 2016-18 Program Report (PDF), 2019-20 Program Report (PDF), and 2021-22 Program Report (PDF).

"Don't You Know," an original song from Jacob's debut album 'In My Room'.
"Don't You Know," an original song from Jacob Collier's debut album 'In My Room'. Photo: courtesy of the artist.

2016-17

Contemporary music with a global cast

The 2016-17 season of innovative annual performance series MIT Sounding continues to blur the boundaries between contemporary and world music. Curated by Evan Ziporyn, Faculty Director of the MIT Center for Art, Science & Technology, this season of Sounding integrates the avant-garde sounds of ancient instruments and traditional practices with cutting-edge composition and technology to present various visions of a new, evolving music that defies genre.

 

Being Material, CAST Symposium, April 21-22, 2017
Being Material, CAST Symposium, April 21-22, 2017

Being Material

BEING MATERIAL
A symposium hosted by the MIT Center for Art, Science & Technology (CAST)

April 21-22, 2017
MIT Samberg Conference Center, 6th & 7th floors, Building E52
50 Memorial Drive, Cambridge, MA 02139

In 1995, MIT’s Nicholas Negroponte predicted that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy materiality persists and even reasserts itself. Programmable matter, self-assembling structures, 3D/4D printing, wearable technologies and bio-inspired design today capture the attention of engineers, scientists and artists. “BEING MATERIAL” showcased recent developments in materials systems and design, placing this work in dialogue with kindred and contrasting philosophy, art practice and critique. Panels on the PROGRAMMABLE, WEARABLE, LIVABLE and INVISIBLE—along with a concert, AUDIBLE—explored new and unexpected meetings of the digital and material worlds.

 

Book from MIT Press

Videos of the Symposium Sessions

Article about the Symposium

Interviews with Symposium Conveners

Press Coverage