CAST Distinguished Visiting Artists Eligibility, Process, and Selection Information Questions? Contact castgrants@mit.edu Evan Ziporyn, Faculty Director of CAST and Kenan Sahin Distinguished Professor of MusicLeila W. Kinney, Executive Director of Arts Initiatives and CASTDanna Solomon, Assistant to the Executive Director … Continued
Discover resources and information for anyone at MIT looking to carry out an artistic project, with a specific focus on providing information to MIT faculty, staff, or students who are applying for or who have received a grant from CAMIT. … Continued
Call for Sketches/Prototypes Artists are invited to submit sketches/prototypes of generative artworks to be deployed online (running live in the browser) as part of the MIT Center for Art, Science & Technology’s upcoming symposium, “Unfolding Intelligence: The Art and Science … Continued
Drawing on MIT’s legacy of media innovation and its deep commitment to open and accessible information, the MIT Open Documentary Lab brings storytellers, technologists, and scholars together to explore new documentary forms with a particular focus on collaborative, interactive, and … Continued
The Media Lab checks traditional disciplines at the door. Product designers, nanotechnologists, data-visualization experts, industry researchers and pioneers of computer interfaces work side by side to invent—and reinvent—how humans experience, and can be aided by, technology.
Courses are taught by renowned practicing artists working in an international arena.
Our faculty is made up of some of the world’s best known media and writing scholars, teachers, and practitioners. From literature, civic media, digital media, design, and data visualization, to television, games, science fiction, and international pop culture, they are … Continued
HTC is a unique program in American education. Its location within the oldest school of architecture in the U.S. focuses attention on interdisciplinary issues in contemporary practice and distinguishes it from the art history departments of universities. A number of … Continued
With a group of active practitioners composing the core of the design faculty, Architecture + Urbanism at MIT is centered on contemporary practice.
The Center for Art, Science & Technology (CAST) supports the development of creative projects, artist residencies, cross-disciplinary classes and research that integrates the arts and has significant student engagement or impact on campus.
The Council for the Arts at MIT (CAMIT) provides funding and benefits for MIT faculty members in accordance with its mission to act as a catalyst for the development of a broadly based, highly participatory program in the arts, firmly founded on teaching, practice, and research at the Institute.
Arts.mit.edu is your portal to all of the arts at MIT. Here are links to other MIT arts websites.
Q: When can faculty, departments, labs and centers apply for CAST/VA funds? A: There are two calls each academic year, one per semester, for projects to be funded during the following academic years. Allow a minimum of one-year lead time. … Continued
Stories about work
MADE AT MIT
Projects that
make the
world better
Stories about
MIT students
The Student Art Association (SAA) provides extra-academic, hands-on instruction and studio experience in the arts for all levels in a range of media. Priority registration is given to MIT undergraduate and graduate students, though all MIT affiliates may participate as space permits. Sign up to develop or refine your art in an open, hands-on, relaxed environment.
MIT Student Art Association
Stratton Student Center, MIT Building W20-424 (fourth floor)
84 Massachusetts Avenue, Cambridge, MA 02139
617-253-7019
The Council for the Arts at MIT underwrites MIT’s memberships at many Boston area cultural organizations, including the Museum of Fine Arts (MFA), Institute of Contemporary Art, Boston (ICA), and the Isabella Stewart Gardner Museum. Please see below for more detailed information.
The Council also helps underwrite discounted student tickets to the Boston Ballet, and provides students with information about discounted tickets to performances by several area ensembles. The Bobko BSO Ticket Fund, created by Philip and Barbara Bobko, provides discounted tickets to BSO performances, and is administered by CAMIT.
MIT Lincoln Lab employees: to take advantage of MIT’s University Memberships with the MFA, the ICA, and the Isabella Stewart Gardner Museum, please request an MIT Employee ID card through the Atlas Service Center.
CAMIT is unable to make any representations that these arts organizations are safe to visit. Please ensure you understand each arts organization’s access procedures, as well as MIT’s community expectations regarding COVID-19.
SEEING / SOUNDING / SENSING A symposium hosted by the MIT Center for Art, Science & Technology (CAST) September 26-27, 2014 MIT Media Lab, 6th Floor 75 Amherst Street Cambridge, MA 02139 Art, science and technology are ways of knowing … Continued
September 26 – 27, 2014
For the 2014-15 season, MIT inaugurates the innovative annual performance series MIT Sounding, curated by Evan Ziporyn, featuring rare live performances by new music pioneers Terry Riley and Alvin Lucier, early music denizens Boston Camerata, and the Grammy Award-winning ensemble Roomful of Teeth.
The series includes world and US premieres by Ziporyn, Elena Ruehr, Christine Southworth, Arnold Dreyblatt, Gyan Riley and others.
September 26-27, 2014
MIT Media Lab, 6th Floor
75 Amherst Street, Cambridge, MA 02139
Art, science, and technology are ways of knowing and changing the world. These disciplines frequently draw from one another, yet their devoted practitioners rarely have the opportunity for high-level intellectual and cultural exchange. “Seeing / Sounding / Sensing” was an intensive two-day event at MIT that invited creative artists to join with philosophers, cognitive neuroscientists, anthropologists, historians and scholars from a range of disciplines in an open-ended discussion about knowledge production. The two-fold goal was to challenge each domain’s conventional certainty about “what is known,” “how we know it,” or “how we can know more” and to stimulate new issues for possible cross-disciplinary scholarship in the future.
Renowned for the multi-faceted practice of his studio in Berlin, Olafur Eliasson creates ambitious public art projects, large-scale installations, architectural pavilions, major art exhibitions, spatial experiments, sensory experiences, and a distinctive art and social business enterprise — Little Sun, a solar powered lamp that is “a work of art that works in life.”
The MIT Center for Art, Science & Technology (CAST) Visiting Artists program is distinctive for its emphasis on the research and development phase of artistic work. In addition to presenting new work, residencies embed artists in the ongoing research and teaching at MIT, where scientists and engineers are open to artists’ speculative and hands-on way of working. The program hosts artists from a wide range of visual and performing arts disciplines each academic year, exposing students to the creative process and fostering cross-fertilization among disciplines.
The Dasha Zhukova Distinguished Visiting Artist Program, launched in Fall 2016, creates the opportunity for artists to shape new creative projects over a period of two years of sustained, in-depth research and development.
Visiting Artist Collaborations are supported by the Ida Ely Rubin Artists in Residence Fund, Abramowitz Memorial Lectureship Fund, and the Alan W. Katzenstein (1942) Memorial Fund.
Read more about the programs that CAST has sponsored in the 2012-14 Program Report (PDF), 2014-15 Program Report (PDF), 2015-16 Program Report (PDF), 2016-18 Program Report (PDF), and 2019-20 Program Report (PDF).
