EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
When he was young, the Swiss pianist and composer Nik Bärtsch was obsessed with rhythm. Once, when his father brought him along to a party, he spent the whole evening drumming on an ashtray. Nowadays he is apt to reach … Continued
CAST Visiting Artist Jacob Collier is well known for his YouTube videos, which the 22-year-old musical phenom performs and produces in his bedroom in North London. Collier’s work has garnered praise from such jazz icons as Herbie Hancock and Quincy … Continued
Explosively rhythmic music Jacob Collier is not like other YouTube stars. The English 22-year-old rose to fame with inventive video covers of popular songs like Michael Jackson’s “P.Y.T.” and Stevie Wonder’s “Isn’t She Lovely,” the arrangements rendered in dizzying multiplicity … Continued
Sumie Kaneko, an Omnivourous Musician When the Japanese koto and shamisen player Sumie Kaneko was invited to perform with Gamelan Galak Tika for MIT’s World Music Day, she was elated. Kaneko—who holds a degree in traditional Japanese music from Tokyo … Continued
Back in 2014, the legendary post-bop jazz saxophonist Joe Lovano met his friend and mentor, the great composer Gunther Schuller, for dinner in Boston. At 88, Schuller was in the midst of a particularly fertile period. That year he premiered … Continued
Cvetelin Andreev became enamored with the kaba gaida, a type of Bulgarian bagpipe, eleven years ago, after spending several weeks hiking Bulgaria’s Rhodope Mountain range alone. “If you stay, let’s say, two weeks, only with yourself, you change a bit,” … Continued
Simon Smith remembers vividly his first encounter with the work of Karlheinz Stockhausen. The piece was Trans, a composition for orchestra and recorded sound that the German composer, a giant of mid-century contemporary music, wrote in 1971. “It was immediately like … Continued
A Study in Contrast? If you want to know what the upcoming 2016-17 season of MIT’s Sounding Series is all about, you need look no further than its two inaugural concerts in September 2016. The first, a performance by the … Continued
It’s easy, watching Pamela Z perform, to get distracted by her gadgets: the MIDI controllers strapped to her hands like bionic appendages, the ultrasound-activated box that sings when her fingers flutter past, the laptop with its glowing screen. But if … Continued
It is often said that Morton Feldman’s “String Quartet II” is an experiment in scale. That is a fancy way of saying that the piece is very, very long—approximately six hours. The players—perhaps better described as marathoners—cannot eat or relieve … Continued
CAST presents a variety of workshops, exhibitions and lectures this Spring, and we hope you will join us for some of these scintillating events! McDermott Awardee David Adjaye will visit campus for a series of discussions on “The Future of the Library,” “The … Continued
“Prandit Pran Nath used to say, ‘You in the note, and the note in you,’ and that’s a good way to describe the state to be in when you’re performing. At least, it’s the state I want to be in … Continued
Lontano Ensemble: Rowland Sutherland, flute; Peter Furniss, clarinet; Caroline Balding, violin; Clare O’Connell, cello; Mary Dullea, piano; Odaline de la Martinez, conductor. The famed London-based Lontano Ensemble returns to MIT on March 15 to perform works by MIT composers in … Continued
Before the age of print all books were manuscripts (the word means hand written), and therefore each existing manuscript is a unique artifact. A manuscript’s text, images and material components contain clues to the cultural, artistic, political, and technological achievements of … Continued
When the gods hand you a gift, they also hand you a whip for self-flagellation, to paraphrase Truman Capote. The Cassandra story typifies the blessing-and-coeval-curse topos. Apollo gives Cassandra the gift of prophecy to seduce her. When she refuses, he … Continued
Ukraine means “borderland, edge or outskirts.” Christine Southworth and Evan Ziporyn’s new collaborative project Borderland: A Cantata for Ukraine, which will premiere this week at Kresge Auditorium at MIT in a performance by Grammy-award winning ensemble Roomful of Teeth, operates … Continued
MIT Presents New Music Series: MIT Sounding Featuring World Premieres, Reconstructed Classics, and Grammy Award winning musicians in new concert series For the 2014-15 season, Massachusetts Institute of Technology (MIT) inaugurates the innovative annual performance series MIT Sounding, curated by … Continued
The musical trio EVIYAN was born in vocalist-violinist Iva Bittová’s house in the woods of the Hudson Valley after a few bowls of mushroom soup. In that rustic setting, performer-composers Bittová, Gyan Riley and Evan Ziporyn came together for the first time to create the kind of loose musical tapestries — weaving elements of the classical, folk, jazz, minimalist and global traditions — that debuted to high acclaim on Saturday, March 2 at MIT’s Kresge Auditorium. “It felt like a family reunion,” says Ziporyn, Kenan Sahin Distinguished Professor of Music and Faculty Director of the Center for Art, Science & Technology.
