EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
“Cello Goddess” Maya Beiser has extended the range of her instrument, through multimedia productions that employ electronics and computer processing to achieve a symphony of new sounds
Classical music and rock can make for awkward bedfellows, usually resulting in bright, accessible instrumentals or sometimes the overwrought opus of some British rocker.
Pedro Reyes has earned a reputation for being an artist-activist whose politically engaged works sometimes, but not always, are instilled with a degree of optimism.
If Donald Trump were to invent a contemporary artist to berate on Twitter (how’s that for fake news?), he might dream up in his fevered mind someone like Pedro Reyes.
CAMBRIDGE — You may not know Eran Egozy’s name, but if you either were between the ages of 10 and 24 in the mid-2000s or had children in that ballpark, you may be familiar with one of the wildly successful … Continued
Acclaimed British multi-instrumentalist Jacob Collier rose to Internet fame with his split-screen YouTube videos, covering some classic songs in his own multi-faceted, original style.
One afternoon in mid-December, the artist Anicka Yi traveled uptown to a Columbia University lab, where for the seventh time in as many weeks she had an appointment with a pair of biologists in preparation for an upcoming solo exhibition at the … Continued
London cello festival is launched; a prodigy is presented with a precious instrument.
The Wooster Group veteran creates a portrait of a mature actress whose beauty lies in her restlessness, at Abrons Arts Center.
Experience is both a book about design and a design experience – with bits of string and a heat-sensitive cover. Review by John O’Reilly.
David Deveau devotes his upcoming Kresge recital to the final two Schubert piano sonatas: the A Major (D.959) and in B-flat Major (D.960).
Last November, during the climate summit in Paris, the Icelandic installation artist Olafur Eliasson transported twelve icebergs from Greenland to the Place du Panthéon for a piece titled “Ice Watch.”
Karim Ben Khelifa is a photojournalist who has worked across the globe, documenting a multitude of wars and conflicts.
On a cold, rainy New York morning after the Hugo Boss Prize party at the Guggenheim last week, the artist Anicka Yi was mulling over the events of the night before, and her thoughts immediately went to her people.
Cambridge, Mass.- Sitting in a conference room at a hotel near the Massachusetts Institute of Technology here, I slip on large headphones and an Oculus Rift virtual reality headset and wriggle into the straps of a backpack, weighed down with … Continued
Halloween started early this year. I’d put the date at July 18, opening night of the 2016 Republican National Convention.
The artist Pedro Reyes is a biting social critic whose pieces often hold out hope — in the face of overwhelming evidence to the contrary — that things will get better.
Massachusetts Institute of Technology has announced that Pedro Reyes will launch a new residency program as the institution’s inaugural Dasha Zhukova Distinguished Visiting Artist.
The Massachusetts Institute of Technology announced today that Mexico City–based artist Pedro Reyes will be the center’s first Dasha Zhukova Distinguished Visiting Artist.
When exposed to a continuous music installation for a period of several hours, your body starts to organically follow the flow of the music.
CAMBRIDGE — Humans excel at finding solutions to “problems” that don’t always justify the description. That’s to say, we inflate “predicaments” (the word suggests a certain awareness of fate) into problems and then invent brilliant solutions. Viagra, for instance.
The 32nd São Paulo Biennale, due to open on 10 September (until 10 December), will play host to an installation of objects created by an unusual “designer”: the vegetative fungus mycelium.
Painter Tala Madani’s show in St. Louis provided a concise primer on her work, featuring her hallmark subject: men, nude or almost so, perhaps Middle Eastern and probably middle-aged, in situations both abject and humorous.
America’s great art museums tend to shy away from showing genuinely disturbing art.
If a machine could write dramas, what would they be? This is the idea that London-based artist collective Villa Design Group explores with The Tragedy Machine, their waggish, new exhibition at the MIT List Visual Arts Center in Cambridge, Massachusetts.
