News, interviews, and stories about the arts at MIT

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Grid of colorful stills from six separate video interpolations trained on photo documentation of six key Yugoslavian memorial monuments.
The Pilgrimage. Grid of stills from six separate video interpolations trained on the archival and individual photo documentation of six key Yugoslavian memorial monuments. Output from an experiment with color channels. Courtesy of the artists.

Can Architects Apply AI to Hack the Future?

A new AI video installation dramatizes the technology’s potential to influence memory, desire, and the perception of history What makes a memory? And how might that memory affect what it is possible for an individual to think, to feel, and … Continued

Louis Sudler Prize winner Theresa McHugh. Courtesy of the artist.

Theresa Clare McHugh ’23: Louis Sudler Prize Winner

Theresa Clare McHugh ’23 has always known that music is their greatest passion. A classical soprano, McHugh has been studying voice since the fifth grade, and redoubled their dedication to the craft at MIT. Singing is more than an extraordinary … Continued

Beam of colored light
The live concert of Spider’s Canvas / Arachnodrone is a co-creation of composer and MIT CAST Faculty Director Evan Ziporyn, composer/visual artist Christine Southworth ’02, sound artist Ian Hattwick, spider researcher Isabelle Su, in collaboration with artist Tomás Saraceno, whose originating idea provides the basis of the concert, and MIT Civil and Environmental Engineering (CEE) Department Head and McAfee Professor Markus Buehler. Credit: Aurelie Cenno.

Consider the Spiderweb

After nearly a decade, an interdisciplinary collaboration to model a 3D spider web leads to many surprising results The spiderweb is an everyday architecture—unmonumental and easily overlooked. Yet artists and scientists are working to unlock the secret of its complex … Continued

People walking in large room with headsets
As the 2018–20 Dasha Zhukova Distinguished Visiting Artist, Matthew Ritchie creates a new transmedia work in collaboration with a multidisciplinary team of MIT artists, faculty, and students. This new collaborative work takes inspiration from the “invisible college” of MIT: the interactions, discussions, and thought processes that take place outside of the formal classroom and administrative structure of the Institute.

The Invisible College

In the late days of January in 2020, Matthew Ritchie staged a beta version of his VR game, The Invisible College, in the U-shaped atrium of MIT’s Physics building, a former century-old courtyard. On the bright grid-like floor designed by … Continued

Isabelle Su: "I control what part of the web the viewer sees while Ian Hattwick plays with the hearing distance. All the fibers within this hearing distance (in blue/white) are sonified while the fibers outside of this range (in green/brown) do not produce sound. Evan Ziporyn and Christine Southworth improvise with the web instrument, building on Ian's sound, with Evan on EWI (Electronic Wind Instrument) and Christine on electric guitar with EBow."

A Three-Dimensional Spider Web Soundscape Comes to Life

Spider’s Canvas was performed February 16-18, 2019 at the MIT Building W97 Main Theater. Visit sounding.mit.edu for more information. Following the live performances, the piece was displayed in the MIT.nano Building 12 in Spring 2019.     Spider’s Canvas / … Continued