This year’s biannual CAST symposium explores the art and science of computation In the popular imagination, artificial intelligence is either a salve or a menace: a bright panacea to optimize our brains and solve all our problems, or a cold … Continued
A new online exhibit and film explore iterative and generative processes In 1975, artist Sol Lewitt created a list of instructions for drawing red, yellow, and blue lines on a wall. A piece of conceptual art, the wall could be … Continued
Active Matter (MIT Press 2017), edited by Skylar Tibbits, Assistant Professor of Design Research in the Department of Architecture at MIT and the Founder and Codirector of MIT’s Self-Assembly Lab, is an essential guide to a field that could shape … Continued
Twenty-two years ago Nicholas Negroponte, MIT Media Lab co-founder, predicted that “being digital” would lead to a future with fewer material constraints. “Being Material,” the MIT Center for Art, Science & Technology’s second biennial international symposium, used Negroponte’s Being Digital … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
A statement from the symposium conveners: “BEING MATERIAL—and being digital, for that matter—demands that we be with science and engineering, both in the sense of standing with the scientific method and its results as well as in the sense … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT Media Lab Hosts Their First Design Summit, Knotty Objects Must design fill current human needs before imagining new futures? That was the topic for debate at the close of the MIT Media Lab’s first design summit, Knotty Objects. With … Continued
Mnemosyne, “memory,” is the mother of all the Muses. “Infinite Record: Archive, Memory, Performance,” an international conference devoted to the continuous and living archive, organized by Anna Kohler and Jay Scheib (Music & Theater Arts, MIT), celebrated memory’s role as … Continued
In his keynote address for CAST’s first symposium, Seeing/ Sounding/ Sensing, Bruno Latour (Professor at the Institut d’études politiques de Paris) observed that “Much of our philosophy comes from the still life; it’s a disease of the Dutch. Descartes and … Continued
On September 26-27, CAST is convening artists, neuroscientists and scholars in the visual arts, music, physics, mathematics, history, anthropology and philosophy to participate in the symposium “Seeing / Sounding / Sensing.” Organized by MIT Professors Caroline A. Jones (Chair) and … Continued
Caroline A. Jones is a Professor of Art History in the History, Theory and Criticism of Architecture and Art program at MIT. She studies modern and contemporary art, with a particular focus on technological modes of production, distribution, and reception. … Continued