EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
The season highlights personal and collective storytelling in performance. The powerful trifecta of live cinema, dance theater, and social music informs the 2019-20 MIT Performing series through an inspiring season of lectures, prototypes, research residencies and performances, curated by Jay … Continued
A library bookcase extends across the length of the Bakalar Gallery at the MIT List Visual Arts Center.
Spider’s Canvas was performed February 16-18, 2019 at the MIT Building W97 Main Theater. Visit sounding.mit.edu for more information. Following the live performances, the piece was displayed in the MIT.nano Building 12 in Spring 2019. Spider’s Canvas / … Continued
Empathizing with the lyrical, moving images of queer and Asian identity in ‘Cranesong’
No stranger to blending technology with the opera stage, composer and academic head of MIT’s Media Lab Tod Machover tackles an unlikely history this fall in the world premiere of “Schoenberg in Hollywood.”
“Those things that we do not value, that we do not actively protect, fade away and die,” writes Kevin Baker in “Death of a Once Great City,” an article in Harper’s about New York’s affluence crisis. Baker describes the one-time … Continued
Audra McDonald, recipient of the 2018 Eugene McDermott Award in the Arts at MIT, visited MIT campus on several occasions this spring, meeting with students and faculty. In February, she joined Martin Marks’s class, The Musical, for an intimate exchange … Continued
“The notion of ‘artistic research’ has really taken hold and captured the imagination of the art world in the past fifteen years,” explains Gediminas Urbonas, associate professor in the Art, Culture & Technology (ACT) program in the MIT School of … Continued
Every spring, the Cambridge Science Festival (CSF) makes science accessible, engaging and fun for everyone through multifaceted, multicultural events. In spring 2018, Arts at MIT created a list of of CSF events that taking place on the MIT campus. We … Continued
Jay Scheib, Professor of Theater at MIT, directs Bat Out of Hell, a rock ’n’ roll musical based on Jim Steinman’s eponymous albums made famous by Meat Loaf. First written over forty years ago, Steinman’s dystopian, futuristic adaptation of the … Continued
“The history of time-based art and technology are entwined,” notes Henriette Huldisch, Director of Exhibitions & Curator, MIT List Visual Arts Center, in her catalogue for Before Projection: Video Sculpture 1974-1995. Yet, we rarely pause to consider how the physical … Continued
A Momentous Day April 4, 1968 was a momentous day for Marcus Thompson. That was the day that the young violist made his debut in a recital at the Isabella Stewart Gardner Museum in Boston. It also turned out to … Continued
The 2017 Hacking Arts Festival, which took place at MIT on November 10-12, centered on a timely theme, “Why human?” A surfeit of recent articles report an increasing skepticism about digital technologies among millennials. As retreating into tech-enabled virtual worlds … Continued
Object Lesson is an ongoing series that highlights some of the art, artifacts, machines, devices, books, instruments and tools that give physical form to ideas that enhance the MIT campus and community. What is Errantry? Errantry is an artist … Continued
“My main material is my library. I consider that a very big palette,” says Pedro Reyes, the Mexico City-based artist known for his politically charged participatory and performative installations and multimedia works. “I feed myself materials twice as fast as … Continued
Object Lesson is a new blog series that highlights some of the art, artifacts, machines, devices, books, instruments and tools that give physical form to ideas that enhance the MIT campus and community. 3D CERAMICS PRINTER What is a … Continued
There is common misconception that all MIT students prioritize psets over practicing piano, performing Shakespeare, drawing, painting, dancing or designing lighting cues. The 2017 recipients of the Wiesner Student Art Awards—Jacob Gunter, Nathan Gutierrez, Rachel Osmundsen and Hallie Voulgaris—counter this … Continued
The MIT Grad Arts Forum, a group that encourages artistic collaboration and intellectual discussions among MIT graduate students from different departments, invited the greater Boston community to the 8th Annual Graduate Arts Soirée on March 25, 2017. This event was … Continued
A statement from the symposium conveners: “BEING MATERIAL—and being digital, for that matter—demands that we be with science and engineering, both in the sense of standing with the scientific method and its results as well as in the sense … Continued
A productive artist residency generally provides the yin to an artist’s yang. If daily life is distracting, for example, an artist may relish solitude. If, on the other hand, the artist is Jacob Collier, a self-contained singer-songwriter-performer-composer-arranger-producer who mostly works … Continued
Gwenneth Boelens: At Odds List Visual Arts Center, February 17, 2017 – April 16, 2017 Trained in photography, Gwenneth Boelens (b. 1980 in Soest, NL) is concerned with processes of perception, memory, and time; throughout her work she aims … Continued
When he was young, the Swiss pianist and composer Nik Bärtsch was obsessed with rhythm. Once, when his father brought him along to a party, he spent the whole evening drumming on an ashtray. Nowadays he is apt to reach … Continued
Novel Technology When the Lumière brothers screened their 1895 film, The Arrival of a Train at La Ciotat—so the famous anecdote goes—audiences frightened by the verisimilitude of the image screamed and got out of the way. As we enter a … Continued
It’s a hard slog in the studio, battling with materials, suppressing self-doubts, cultivating a vision, destroying false starts and ultimately creating something new. To emerging artists, seeing work outside the confines of their studios and in a gallery setting is … Continued
Election day is finally here. MIT residents can vote at a polling station in the Lobby of Kresge Auditorium, and afterward reflect on political thuggery in a production of Bertolt Brecht’s The Resistible Rise of Arturo Ui, directed by Jay … Continued
