Acclaimed keyboardist Jordan Rudess’s collaboration with the MIT Media Lab culminates in live improvisation between AI and artist A crowd gathered at the MIT Media Lab in September for a concert by musician Jordan Rudess and two collaborators. One of … Continued
This article was originally published by the MIT Media Lab. Ancestral Storytelling: Movement + Memory embodies motion capture techniques for an interactive and immersive movement and sonic healing performance, living video archive, and workshop utilizing traditional ancestral storytelling and folkloric … Continued
All across the MIT campus, researchers in 30 departments and five schools regularly test the boundaries of knowledge. Research at MIT is often empirical—based on quantifiable data gleaned from controlled experiments and observations. But there is another genre of research … Continued
For the MIT visiting artist Chloé Bensahel, fabric itself tells the story In 2021, a curator at the Smithsonian contacted Chloé Bensahel, currently the MIT 2023-24 Ida Ely Rubin Artist in Residence, and told her about some objects that … Continued
A partnership between ACT and MIT.nano, the class “Creating Art, Thinking Science” asks what it really takes to cultivate dialogue between disciplines MIT has a rich history of productive collaboration between the arts and the sciences, anchored by the … Continued
A piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music Seated at the grand piano in MIT’s Killian Hall on a recent October afternoon, Jacqueline Wang ’27 played through … Continued
“I love reading science fiction,” says Nigel Shen, a first-year graduate student in Computational Science and Engineering and Mechanical Engineering. “But the science fiction I love the best is written by people who have a firm grasp on science. That … Continued
This year’s biannual CAST symposium explores the art and science of computation In the popular imagination, artificial intelligence is either a salve or a menace: a bright panacea to optimize our brains and solve all our problems, or a cold … Continued
A new online exhibit and film explore iterative and generative processes In 1975, artist Sol Lewitt created a list of instructions for drawing red, yellow, and blue lines on a wall. A piece of conceptual art, the wall could be … Continued
Third Mellon grant brings the Mellon Foundation’s total support for CAST to $4,000,000 through 2024 “CAST was established in 2012 with a grant from the Andrew W. Mellon Foundation,” said Faculty Director Evan Ziporyn and Executive Director Leila Kinney,” and … Continued
Active Matter (MIT Press 2017), edited by Skylar Tibbits, Assistant Professor of Design Research in the Department of Architecture at MIT and the Founder and Codirector of MIT’s Self-Assembly Lab, is an essential guide to a field that could shape … Continued
Seth Riskin, SM ’89, came to MIT in 1986 to coach the women’s gymnastics team, before applying to the graduate program in Visual Studies at the Center for Advanced Visual Studies (CAVS), then under the direction of German artist Otto … Continued
Twenty-two years ago Nicholas Negroponte, MIT Media Lab co-founder, predicted that “being digital” would lead to a future with fewer material constraints. “Being Material,” the MIT Center for Art, Science & Technology’s second biennial international symposium, used Negroponte’s Being Digital … Continued
The MIT Grad Arts Forum, a group that encourages artistic collaboration and intellectual discussions among MIT graduate students from different departments, invited the greater Boston community to the 8th Annual Graduate Arts Soirée on March 25, 2017. This event was … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
A statement from the symposium conveners: “BEING MATERIAL—and being digital, for that matter—demands that we be with science and engineering, both in the sense of standing with the scientific method and its results as well as in the sense … Continued
A productive artist residency generally provides the yin to an artist’s yang. If daily life is distracting, for example, an artist may relish solitude. If, on the other hand, the artist is Jacob Collier, a self-contained singer-songwriter-performer-composer-arranger-producer who mostly works … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
The MIT Center for Art, Science & Technology (CAST) is pleased to announce the 2016-17 Visiting Artists in visual arts and writing: Pedro Reyes, Tomás Saraceno, Karim Ben Khelifa, Agnieszka Kurant and Christian Bök. From repurposed and reimagined weapons to … Continued
MIT Media Lab Hosts Their First Design Summit, Knotty Objects Must design fill current human needs before imagining new futures? That was the topic for debate at the close of the MIT Media Lab’s first design summit, Knotty Objects. With … Continued
Forget the balsa wood and foam core of yesterday’s design classes. Students in Skylar Tibbits’s innovative studio course are using everything from gummy bears to glass to rubber to foam, to create three-dimensional representations of the generative drawings they produced … Continued
Combined grants provide 8 years of funding, among largest gifts received by the arts at MIT Cambridge, MA, April 22, 2015–The MIT Center for Art, Science & Technology (CAST) has received $1,500,000 from the Andrew W. Mellon Foundation, in support … Continued