EDITORIAL DIRECTOR
Leah Talatinian
Senior Officer for Marketing and Communications
Bringing Andrew Schneider and Company to MIT Albert Einstein once said of his teaching style, “I never teach my pupils, I only attempt to provide the conditions in which they can learn.” That quote essentially describes how OBIE award-winning performer, … Continued
Album Release Celebration: Djesse Volume 1 What do a jazz wunderkind, a Haitian pop star and spider webs all have in common? They’ll all be making appearances throughout the MIT Sounding Series 2018-19 season. The series kicks off with a familiar … Continued
Object Lesson is an ongoing blog series that highlights some of the art, artifacts, machines, devices, books, instruments and tools that give physical form to ideas that enhance the MIT campus and community. What is the Noam Chomsky puppet? This … Continued
On a recent Friday evening, six people gathered around a table in a mostly-empty studio in MIT’s new Theater Arts building on the western edge of campus. In a few hours time, the group—local actors Marge Buckley and Sarah Bedard, … Continued
Every spring, the Cambridge Science Festival (CSF) makes science accessible, engaging and fun for everyone through multifaceted, multicultural events. In spring 2018, Arts at MIT created a list of of CSF events that taking place on the MIT campus. We … Continued
Adam Haar Horowitz, together with Agnes Cameron, Ishaan Grover, Tim Robertson, Owen Trueblood and Gary Zhang, worked with CAST Visiting Artist Agnieszka Kurant at the 2017 Hacking Arts Festival on a “signature hack,” a new feature of the festival that … Continued
The Clarinet The clarinet is not generally considered the most heroic of instruments. In classical music, that honor belongs to the violin. In jazz, it’s the saxophone; in rock, the guitar. But the clarinet, a single reed woodwind that is … Continued
Object Lesson is an ongoing blog series that highlights some of the art, artifacts, machines, devices, books, instruments and tools that give physical form to ideas that enhance the MIT campus and community. What is the Aerocene Explorer? The … Continued
It’s not uncommon, in this day and age, to go to a concert and spot a performer hunched behind a laptop. Head bobbing and fingers flying, she may be doing any number of things: DJing, remixing, playing live backing tracks. … Continued
Artistic Collaboration Between MIT, German-Jordanian University and Refugees in the Al Azraq Camp in Jordan Associate Professor Azra Akšamija, Art, Culture & Technology Program, MIT Department of Architecture, first visited the Al Azraq refugee camp in Jordan in 2016. “Once … Continued
A Momentous Day April 4, 1968 was a momentous day for Marcus Thompson. That was the day that the young violist made his debut in a recital at the Isabella Stewart Gardner Museum in Boston. It also turned out to … Continued
The Signature Hack At the 2017 Hacking Arts Festival, MIT Center for Art, Science & Technology (CAST) Visiting Artist Agnieszka Kurant worked with a team of MIT graduate students and researchers to create a “signature hack,” a new feature of … Continued
“My main material is my library. I consider that a very big palette,” says Pedro Reyes, the Mexico City-based artist known for his politically charged participatory and performative installations and multimedia works. “I feed myself materials twice as fast as … Continued
Ever since Ivan Sutherland, PhD ’63, developed Ultimate Display in 1965—a forerunner to augmented reality (AR) and virtual reality (VR) that uses tactile stimuli to mimic the physical world—MIT researchers have been engineering new forms of immersive media. Today, the … Continued
Active Matter (MIT Press 2017), edited by Skylar Tibbits, Assistant Professor of Design Research in the Department of Architecture at MIT and the Founder and Codirector of MIT’s Self-Assembly Lab, is an essential guide to a field that could shape … Continued
Lou Harrison The great American composer Lou Harrison tried his hand at many things: painting, calligraphy and poetry, to name but a few. He went through a great many musical phases as well, inspired by the experimental work of both … Continued
Suspend disgust at the thought of trash; make it a compelling subject for designers and the broader public. That’s Rania Ghosn’s tactic for getting more people to improve our built environment and ask the necessary questions about landfills, oil rigs, … Continued
Seth Riskin, SM ’89, came to MIT in 1986 to coach the women’s gymnastics team, before applying to the graduate program in Visual Studies at the Center for Advanced Visual Studies (CAVS), then under the direction of German artist Otto … Continued
The MIT Center for Art, Science & Technology (CAST) is pleased to announce the 2017-18 Visiting Artists in visual and computational arts: Pedro Reyes, B. Stephen Carpenter II, Agnieszka Kurant, Diemut Strebe, Karim Ben Khelifa, Newton Harrison, Jason Levine and … Continued
This fall sees the return of the MIT Sounding series—and, as usual, a penchant for border crossings and experimentation. The season kicks off on October 12 with a tribute concert to the influential composer Lou Harrison, who would have turned 100 … Continued
Twenty-two years ago Nicholas Negroponte, MIT Media Lab co-founder, predicted that “being digital” would lead to a future with fewer material constraints. “Being Material,” the MIT Center for Art, Science & Technology’s second biennial international symposium, used Negroponte’s Being Digital … Continued
The word Ba, represented by a bee-sign in hieroglyphs, meant ‘soul,’ ‘honey’ and ‘bee’ to Ancient Egyptians. This ancient commingling of our fate with bees isn’t lost on MIT assistant professor of theater arts Charlotte Brathwaite, whose new project Bee … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
When I was an art student in New York in 1999, David Bowie visited our school and offered to host images of our work on BowieNet, an ISP he had launched the previous year. Glimpsing Bowie was enough to blow … Continued
