Jordan Rudess

2023-24 CAST Visiting Artist
2025-26 CAST Distinguished Visiting Artist

Jordan Rudess performing at "Jordan and the jam_bot: a work-in-progress performance" on September 21, 2024. Photo by Caroline Alden.
Jordan Rudess. Image courtesy of the artist.
Jordan Rudess. Image courtesy of the artist.

jam_bot: Exploring the Potential of AI in Live Collaborative Musical Performance

About the Residency

Renowned musician Jordan Rudess collaborates with Professor Joe Paradiso and the Media Lab Responsive Environments Group to create new technology that probes the boundaries of where AI meets musical control and expression. A machine learning model trained on Rudess’s playing style and technique improvises and performs live in a duet with its human counterpart. Sometimes leading, sometimes following, the model and human together create new and unique music that interacts in real time with a physical installation that responds to and influences the behavior of the model.

Over a series of visits to campus, Rudess shares his perspectives on music technology, performance, and technique through workshops, guest lectures, and a collaborative concert.

Originally welcomed as a Visiting Artist in 2023, Rudess received an appointment as a Distinguished Visiting Artist in 2025 in order to expand the research to enable more collaborative uses, incorporate expressive playing into the AI models, explore different modes of visually depicting AI intent for both performers and audience, broaden the span in musical style of our models (or better integrate them), and expand the creative reach of the system.

Schedule

Upcoming Events

Jordan Rudess + jam_bot: A Human-AI Musical Dialogue Performance
Saturday, October 3, 2026 / Performances at 5:00-6:00pm and 8:00-9:00pm

MIT Thomas Tull Concert Hall
Edward and Joyce Linde Music Building W18
201 Amherst Street, Cambridge, MA

Experience jam_bot in a one-hour live performance featuring legendary keyboardist and CAST Distinguished Visiting Artist  Jordan Rudess and special musical guests, including the MIT Concert Choir. Developed at the MIT Media Lab by Rudess and MIT researchers Lancelot Blanchard and Perry Naseck, jam_bot listens, responds, and creates alongside Rudess in real time, opening new possibilities for live musical improvisation. Presented in spatial sound with immersive lighting and a kinetic sculpture, the performance brings together humans, music, artificial intelligence, and visuals in a unique live experience.

Guests attending either of the two performances are welcome to come early or stay after to experience jam_bot firsthand in the lobby.

Register via Eventbrite to attend a performance

A portion of the 5:00pm performance is reserved for ticket holders of MIT Future Fest. Visit the MIT Future Fest website for more information and to acquire a pass.

The Yamaha Disklavier pianos featured in the performances are provided by Falcetti Pianos in Newton, Massachusetts.


Meet jam_bot Installation
On display starting October 2, 2026 
MIT Museum Lobby
314 Main St, Cambridge, MA 02142

Experience jam_bot, an AI music system developed at the MIT Media Lab, firsthand and see how it listens, responds, and creates alongside you in real time, opening new possibilities for live musical improvisation.

Visit the MIT Future Fest website for more information and to acquire a festival pass. 

The Yamaha Disklavier pianos featured in the installation are provided by Falcetti Pianos in Newton, Massachusetts.


Inside jam_bot: Building an AI Musical Partner
MIT Future Fest VIP Event
Friday, October 2, 2026 / 3:00–4:00pm
MIT Museum
314 Main St, Cambridge, MA 02142

Future Fest VIP guests are invited to an intimate demonstration of jam_bot, an AI music system developed at the MIT Media Lab in collaboration with legendary keyboardist Jordan Rudess. See firsthand how jam_bot listens, responds, and creates alongside Rudess in real time, opening new possibilities for live musical improvisation. Guests will experience a personal demonstration and meet Rudess and MIT researchers Lancelot Blanchard and Perry Naseck, the team behind jam_bot, with an opportunity to learn about the technology, its development, and its creative potential.

Visit the MIT Future Fest website for more information and to acquire a festival pass.


Day of Music & AI Demos 
MIT Future Fest Presentation
Saturday, October 3, 3:00-4:30pm and 6:00-7:30pm
Lobby of the Edward and Joyce Linde Music Building W18
201 Amherst Street, Cambridge, MA

Explore a series of interactive music and AI demonstrations in the lobby, led by students from MIT Music Technology and the MIT Media Lab. Drop in to experience new tools, experiments, and ideas at the intersection of music, technology, and artificial intelligence.

Free and open to all. Registration not required. 


Past Events

Rocking with the Machine: Jordan Rudess and the Future of Live AI Music Talk
Featuring Lancelot Blanchard and Perry Naseck
Tuesday, March 17, 2026 / 5:00pm
MIT Room 4-237

2025–26 CAST Distinguished Visiting Artist Jordan Rudess traces his path from classical training to pioneering musical innovation — including the development of jam_bot, a tool for real-time collaboration between human performer and AI — and offers an honest look at where the technology stands today and where it might take us next. He will be joined by MIT Media Lab PhD candidates and collaborators Lancelot Blanchard and Perry Naseck.


Jordan and the jam_bot: A Work-in-Progress Performance
September 21, 2024 / 8:00pm
MIT Media Lab 6th Floor Multipurpose Room, Building E14

A work-in-progress performance of new technology that probes the boundaries of where machine learning meets musical control and expression, created by Jordan Rudess and the MIT Media Lab Responsive Environments Group.


Emerson/Harris Masterclass with Jordan Rudess
September 23, 2024 / 5:00–7:00pm
Killian Hall, MIT Building 14

A masterclass with Jordan Rudess exploring composition, improvisation, and student performances of Jordan’s work.
Learn more


Open class with guest speaker Jordan Rudess: MAS.837 Principles of Electronic Music Interfaces
Tuesday, April 9, 2024 / 12:30-2:00pm
MIT Wiesner Building, E15-341
Open to MIT ID holders


Residency visits:
April 2024
May 2024
September 2024
Fall 2025

Collaborators at MIT

Lancelot Blanchard is a musician, engineer, and AI researcher pursuing a PhD at the MIT Media Lab’s Responsive Environments group. His research explores the development of Generative AI systems that facilitate human-AI co-created live musical performances, to improve the creative processes of musicians on stage. Lancelot is currently a LEGO Papert Fellow and an Emerson/Harris Fellow, and was an MIT Presidential Fellow. He holds a Master’s of Research in Artificial Intelligence and Machine Learning and a Master’s of Engineering in Computing from Imperial College London, as well as a degree in classical piano from the Conservatory of Rennes, France.

Website: lancelotblanchard.com


Perry Naseck is an artist, engineer, and researcher working with interactive, kinetic, light- and time-based media. He specializes in interaction, orchestration, and animation of systems of sensors and actuators for live performance and permanent installation. Perry is currently a PhD student in the Responsive Environments group at the MIT Media Lab, where his research focuses on creating new experiences for musicians and audiences. He explores how to closely link live performance visual systems with a focus on improvised and AI-generated music. Perry previously was an MIT Presidential Fellow and completed a Master’s at the MIT Media Lab. He also completed a Bachelor’s of Engineering Studies and Arts at Carnegie Mellon, where he studied both Art and Electrical & Computer Engineering.

Website: perrynaseck.com


Joseph Paradiso (Alexander W Dreyfoos 1954 Professor; Academic Head, Program in Media Arts and Sciences) directs the Responsive Environments group, which explores how sensor networks augment and mediate human experience, interaction, and perception.

Full bio: MIT Media Lab


Faculty Advisor: Joe Paradiso, Alexander W. Dreyfoos (1954) Professor and Director of the Responsive Environments Group, MIT Media Lab

AI Music System Designer: Lancelot Blanchard, Research Assistant, Responsive Environments Group, MIT Media Lab

Installation Artist/Designer: Perry Naseck, Research Assistant, Responsive Environments Group, MIT Media Lab

Audience Evaluation/Study Designer: Kimaya Lecamwasam, Research Assistant, Opera of the Future Group, MIT Media Lab

With thanks to Irmandy Wicaksono, whose Knitted Keyboard inspired the initial collaboration. 

With thanks to MTA Professor Anna Huang and the students who collaborated on the project: Heidi Lei, Nithya Shikarpur, Rachel Loh, Katherine Liang, Rushil Srikakolapu, Joel Tan, Ashley Zhang, Sophie Lin,

Biography

Jordan Rudess is best known as the keyboardist/multi-instrumentalist extraordinaire for platinum-selling Grammy Award–winning rock band, Dream Theater. A classical prodigy who began his studies at the Juilliard School at the age of 9, his music is a unique blend of classical and rock influences. In addition to playing in Dream Theater and his solo career, Rudess has worked with a wide range of artists, including Deep Purple, David Bowie, Steven Wilson, Jan Hammer, Enrique Iglesias, the Paul Winter Consort, Annie Haslam, Liquid Tension Experiment (with John Petrucci, Mike Portnoy, and Tony Levin), LMR (with Tony Levin and Marco Minneman), Blackfield, Aviv Geffen, the Dixie Dregs, Rod Morgenstein, and Tony Williams among others. 

His interest in state-of-the-art keyboard controllers and music apps is another area of his career in which he has achieved success. Rudess owns the successful app development company Wizdom Music, creators of award-winning apps such as MorphWiz, SampleWiz, and Geo Synthesizer. Wizdom Music’s latest app, GeoShred, was created in collaboration with moForte, founding members of Stanford University’s Sondius team. In addition, Rudess is the author of two keyboard technique books including his latest, Total Keyboard Wizardry: A Technique and Improvisation Workbook. Recently, he was an artist-in-residence at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA).

Website: jordanrudess.com
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