Victor Gama’s work addresses the relationship between instrument building and music composition, while using new technologies and the creative practices of Africa and the Diaspora.
In his creative experiments, Trimpin engages the visual, spatial, and kinetic properties of sound to “play instruments in such a way that no matter how complex the composition of the timing, it can be pushed over the limits.”
In composing, Tristan Perich opens up the sound-making possibilities of the raw machinery itself, always “getting one step closer to the flow of electricity through the microchip.
Fueled by a love of rhythm, Hauschka’s (Volker Bertelmann) classicist training, chamber music sensibilities and pop cultural interests all come together to create playful, unpredictable and inventive music.