Joe Lovano

2016-17 MIT Sounding Series

Joe Lovano performing at MIT's Killian Hall on October 4, 2016. Photo: Lenny Martinez.
At Streams of Expression and Love, Lovano honored his mentor and collaborator, the late Boston musical titan Gunther Schuller. Photo: Lenny Martinez.

“One of the greatest musicians in jazz history”—New York Times

About the Performance

Joe Lovano’s longstanding collaboration with MIT faculty and students dates back to a 2002 performance of works by Senior Lecturer Mark Harvey with the MIT Festival Jazz Ensemble under the direction of Fred Harris.

The October 2016 concert honors Lovano’s mentor and collaborator, the late Boston musical titan Gunther Schuller, in a quartet performance of Schuller’s music by Lovano, Harris, vocalist Judi Silvano and MIT Affiliated Artist Keala Kaumeheiwa. Lovano will also join violinist Young-Nam Kim, Affiliated Artist and Collaborative Pianist at MIT Eileen Huang, and cellist Katherine McShane in a performance of MIT composer and Professor of Music Peter Child’s Moonsculptures. Also featured on the program are new BSO violist Daniel Kim and legendary Third Stream pianist and educator Ran Blake.

Joe Lovano’s visit to the Institute is part of MIT Sounding, an innovative annual performance series that blurs the boundaries between contemporary and world music. Curated by Evan Ziporyn, Faculty Director of the MIT Center for Art, Science & Technology, the 2016-17 season of MIT Sounding integrates the avant-garde sounds of ancient instruments and traditional practices with cutting-edge composition and technology to present various visions of a new, evolving music that defies genre. 

The 2016-17 MIT Sounding Performance Series is presented by the MIT Center for Art, Science & Technology (CAST) and MIT Music and Theater Arts.

Public Events

Past Events

Streams of Expression and Love—Joe Lovano Celebrates Gunther Schuller at MIT
Tuesday, October 4, 2016 / 8:00pm
MIT Killian Hall, 14W-111
160 Memorial Drive, Cambridge, MA

Free and open to the public
Donations will be accepted for efforts to preserve the legacy of Gunther Schuller

In addition to performing music from Rush Hour as a quartet (with vocal-jazz great Judi Silvano, Boston-bassist and MIT Affiliated Artist Keala Kaumeheiwa and MIT Director of Wind and Jazz Ensembles, Fred Harris, drums) Lovano performed MIT composer and Professor of Music Peter Child’s Moonsculptures, an attractive Third Stream influenced composition for tenor saxophone, violin, and piano. Violinist and Schuller devotee Young-Nam Kim (Artistic Director of the Chamber Music Society of Minnesota), Affiliated Artist and Collaborative Pianist at MIT Eileen Huang, and cellist Katherine McShane join Lovano. Other chamber works by Child and Harris round out the program performed by Kim and his son Daniel Kim, new violist of the Boston Symphony Orchestra.

One of Schuller’s closest friends and perhaps greatest advocate, the legendary Third Stream pianist and educator Ran Blake (New England Conservatory) made a very special solo guest appearance on the program.

Collaborators at MIT

Fred Harris, Director of Wind and Jazz Ensembles, Department of Music and Theater Arts

Peter Child, Department of Music and Theater Arts

Eileen Huang, Department of Music and Theater Arts

Keala Kaumeheiwa, Department of Music and Theater Arts


Hailed by The New York Times as “one of the greatest musicians in jazz history,” Grammy Award-winning saxophone giant Joe Lovano has distinguished himself for some three decades as a prescient and path finding force in the arena of creative music. Since 2009, Lovano’s main vehicle for his exploration has been Us Five, a dynamic young band which features drummers Otis Brown III and Francisco Mela, bassist Esperanza Spalding and pianist James Weidman. Us Five’s most recent release, Bird Songs, Lovano’s 22nd album for Blue Note Records, is an exploration of the Charlie Parker songbook that breaks the mold of Bird tribute records. “I didn’t approach this as a tribute record,” states Lovano, dispelling any preconception that his latest album is a mere retread. In 2011, the Jazz Journalist’s Association (JJA) named Bird Songs, Recording of the the Year, and named Us Five, Small Ensemble of the Year. It was also the Downbeat Editor’s Pick for Album of the Year. Us Five’s debut recording—Folk Art (2009)—was a wide-ranging set of Lovano’s original compositions that garnered them the award for Best Small Ensemble of the Year at the 2010 JJA Jazz Awards and Best Jazz Group of the Year in the 2010 DownBeat Critics Poll. Lovano also won the JJA’s Musician and Tenor Saxophonist of the Year and DownBeat’s Jazz Artist and Tenor Saxophonist of the Year.

Lovano was born in Cleveland, Ohio in 1952, and began playing alto saxophone as a child. His father, tenor saxophonist Tony “Big T” Lovano, schooled Lovano not only in the basics, but in dynamics and interpretation, and regularly exposed him to live performances of international jazz artists, such as Sonny Stitt, James Moody, Dizzy Gillespie, Gene Ammons and Rahsaan Roland Kirk. Upon graduation from high school he attended Berklee College of Music. Lovano’s early professional gigs were as a sideman with organists Lonnie Smith, Brother Jack McDuff and a three-year tour with the Woody Herman Thundering Herd from 1976 to 1979.

After leaving Herman’s band, Lovano settled in New York City where he joined the Mel Lewis Orchestra for its regular Monday night concert at the Village Vanguard; playing from 1980 to 1992, he recorded six albums with the Orchestra. Lovano still finds time for very special performances with the Vanguard band and recently paid tribute to Thad Jones with Thad’s brother, Hank Jones, on the Grammy nominated, 2007 release, Kids: Live at Dizzy’s Club Coca-Cola.

Lovano joined the Paul Motian band in 1981 and has since worked and collaborated with John Scofield, Herbie Hancock, Elvin Jones, Charlie Haden, Carla Bley, Bobby Hutcherson, Billy Higgins, Dave Holland, Ed Blackwell, Michel Petrucciani, Lee Konitz, Abbey Lincoln, Tom Harrell, McCoy Tyner, Ornette Coleman, Jim Hall, Bob Brookmeyer and many more. Lovano’s illustrious relationship with Blue Note Records began in 1991 and includes eight Grammy nominations, with a win in the Best Large Ensemble category for the 2000 release, 52nd Street Themes.

Lovano has also collaborated, both in the studio and the concert hall, with two other premier tenor saxophonists of his generation, Dave Liebman and the late Michael Brecker, in the collective, Saxophone Summit. Their first release was Gathering of the Spirits (Telarc2004). After the untimely passing of Michael Brecker, Lovano and Liebman were joined by Ravi Coltrane on their acclaimed sophomore release, Seraphic Light.

In early 2008, Lovano replaced Joshua Redman in the tenor saxophone chair of the touring and studio ensemble, the SFJazz Collective. The Collective also included trumpeter Dave Douglas, trombonist Robin Eubanks, and fellow Blue Note Recording Artist, vibraphonist Stefon Harris. They joined Miguel Zenon, Renee Rosnes, Matt Penman and Eric Harland in this popular ensemble of some of today’s most exciting jazz players. Lovano’s Grammy-nominated Symphonica (2008) placed him in front of the world-renowned WDR Big Band and WDR Rundfunke Orchestra performing some of the saxophonist’s most acclaimed and cherished compositions, as arranged and conducted by Michael Abene.

More at the artist’s website: Joe Lovano

In the Media

New York Times: Joe Lovano, Running the Show With Sweeping Sax

Star Tribune: Chamber Music Society of Minnesota honors Gunther Schuller

The Boston Musical Intelligencer: Heply Digging Schuller [review of Lovano’s Sounding Series performance at MIT]