Arts at MIT
  • About
    • About
    • Apply
    • Calendar
    • Leadership
    • Partners
    • Team
  • Projects
    • Cross-Disciplinary Classes
    • Faculty Grants
    • Visiting Artists
  • Performances
    • It Must Be Now!
    • MIT Sounding
      • 2023-24
      • 2022-23
      • 2021-22
      • 2019-20
      • 2018-19
      • 2017-18
      • 2016-17
      • 2015-16
      • 2014-15
    • MIT Performing
      • 2021-22
      • 2020-21
      • 2019-20
      • 2018-19
  • Publications
    • Articles About CAST
    • Books
    • Press Releases
    • Reports
  • Symposia
    • Active Matter Summit
    • Being Material
    • Frontiers in Science, Technology, and the Arts
    • Seeing/Sounding/Sensing
    • Unfolding Intelligence
    • Lecture Series

MIT Arts Programs

  • Arts at MIT Portal
  • Center for Art, Science & Technology
  • School of Architecture + Planning
    • Architecture Department
    • Art, Culture + Technology
    • History, Theory + Criticism
    • Media Lab
  • School of Humanities, Arts, & Social Sciences
    • Comparative Media Studies/Writing
    • Literature
    • Music and Theater Arts
    • Open Documentary Lab
  • Office of the Provost
    • Council for the Arts at MIT
    • Eugene McDermott Award in the Arts at MIT
    • List Visual Arts Center
    • MIT Museum
    • MIT W20 Student Art Studios
    • Student Arts Programs
  • About
    • About
    • Apply
    • Calendar
    • Leadership
    • Partners
    • Team
  • Projects
    • Cross-Disciplinary Classes
    • Faculty Grants
    • Visiting Artists
  • Performances
    • It Must Be Now!
    • MIT Sounding
      • 2023-24
      • 2022-23
      • 2021-22
      • 2019-20
      • 2018-19
      • 2017-18
      • 2016-17
      • 2015-16
      • 2014-15
    • MIT Performing
      • 2021-22
      • 2020-21
      • 2019-20
      • 2018-19
  • Publications
    • Articles About CAST
    • Books
    • Press Releases
    • Reports
  • Symposia
    • Active Matter Summit
    • Being Material
    • Frontiers in Science, Technology, and the Arts
    • Seeing/Sounding/Sensing
    • Unfolding Intelligence
    • Lecture Series
  • Arts at MIT Portal
  • Center for Art, Science & Technology
  • School of Architecture + Planning
    • Architecture Department
    • Art, Culture + Technology
    • History, Theory + Criticism
    • Media Lab
  • School of Humanities, Arts, & Social Sciences
    • Comparative Media Studies/Writing
    • Literature
    • Music and Theater Arts
    • Open Documentary Lab
  • Office of the Provost
    • Council for the Arts at MIT
    • Eugene McDermott Award in the Arts at MIT
    • List Visual Arts Center
    • MIT Museum
    • MIT W20 Student Art Studios
    • Student Arts Programs

All CAST Projects

loading...

Two ballet dancers in floral leotards and hat piece on stage.
Dancers of the Oakland Ballet Company perform at the Dancing Moons Festival at the Oakland Asian Cultural Center in Oakland, California, Wednesday, March 23rd, 2022.

Ballet des Porcelaines

A story of magic, desire, and exotic entanglement
Pianist Maki Namekawa in a leather jacket looking into the camera.
Maki Namekawa, Credit: Andreas H. Bitesnich

Maki Namekawa Presents Philip Glass, Keith Jarrett, Joe Hisaishi, Evan Ziporyn

Southeast Chicago Archive and Storytelling Project. Image courtesy of the artist.

Southeast Chicago Archive and Storytelling Project

History is made through the objects we save and the stories we tell about them
DesignEarth's Climate Inheritance, 2021. Courtesy of the artists.

Climate Inheritance

World Heritage at Risk
Installation view of Two Mobility Futures.
Two Mobility Futures, 2022, MIT. Courtesy of the artists.

Two Mobility Futures 0∞

Divergent futures where humans move constantly, or not at all
Installation view of humans in space from the Hammer and the Feather exhibit.
The Hammer and the Feather is an immersive audio and visual installation, developed at MIT by technical instructor Christian Frederickson and visual artist and filmmaker Greg King. Bridging humanistic and scientific inquiry, the piece uses gravity as a poetic and conceptual departure point for musical, visual, and sonic material. Photo by Danny Goldfield https://bit.ly/3a8YjxW Please ask before use

The Hammer and the Feather

Exploring the sonic poetry of gravity
Four professors who co-taught the class, smiling and looking into the cameras.
Queer-Feminist-Antiracism Future and Design for the Future cotaught by Danielle Wood (top left) and J. Austin Eyer (bottom right) with guest artists Jennifer Harrison Newman (center top) and Paul Lieber (bottom center).

Queer-Feminist-Antiracism and Design for the Future

Exploring dynamics of intersectional identities in complex systems and theater
Proton Animation. Courtesy of James LaPlante, Sputnik Animation. © MIT and Jefferson Lab, 2021, All Rights Reserved.

Visualizing the Proton

Illustrating the subatomic world
Black and white rendering of exhibition, The Planet After Geoengineering.
Rania Ghosn/DESIGN EARTH, The Planet After Geoengineering, 2021. Courtesy of the artist.

The Planet After Geoengineering

Speculative futures for planet Earth
Black and white illustration of two people having a fist fight while others watch.
Water Wars: Episode 2, The Eternal Swamp. Illustration by Sarnath Banerjee

Water Wars

Demystifying social science through creative storytelling
Prathima Muniyappa (with camera) and other class members examine a student demo. Credit: Graham Jones.
Prathima Muniyappa (with camera) and other class members examine a student demo. Credit: Graham Jones.

Paranormal Machines

Detecting and measuring the paranormal
Artists Ximena Garnica and Shige Moriya standing together and smiling at the camera.
Shige Moriya and Ximena Garnica. Credit: Brandon Perdomo.

Ximena Garnica and Shige Moriya

Performance installation exploring the juxtapositions of multiplicities and the power of rising
Installation view of the Play Room Exhibition by Ana Miljački.
Ana Miljački, Play Room Exhibition, MIT Keller Gallery, 2020. Credit: Justin Knight.

Critical Broadcasting Lab

Intervening in contemporary architectural discourse
Game pieces of gem and colorful map of the Promesa Board Game.
Promesa Board Game: Understanding Puerto Rico’s debt crisis through play. Image credit: HErickson/MIT.

Promesa: Voicing Counter Colonialism Through Board Game Creation

Understanding Puerto Rico’s debt crisis through play
A photo of a child in a military uniform reads "How to become a dictator in 12 steps."
How to become a Dictator in 12 steps. Detail from the interface for the Anatomy of Revolution website (in progress). [Photo of child, courtesy the Arab Image Foundation]. 2020.

Anatomy of Revolution

Archiving movements of protest
Profile view of Sean Jones playing the trumpet.
Sean Jones, Jazz at the Bistro. Courtesy of the artist.

Sean Jones

Under the auspices of CAST’s MIT Sounding series, It Must Be Now!, led by Fred Harris, brings together three leading musicians to collectively compose a large-scale work for MIT musicians on the overall theme of racial justice.
Braxton Cook stands in front of a red background, holding his alto sax down at his waist.
Braxton Cook. Credit Tom Van Scoyoc.

Braxton Cook

Under the auspices of CAST’s MIT Sounding series, It Must Be Now!, led by Fred Harris, brings together three leading musicians to collectively compose a large-scale work for MIT musicians on the overall theme of racial justice.
Terri Lyne Carrington smiles while playing on drums.
Terri Lyne Carrington. Credit: Jacobs.

Terri Lyne Carrington

Under the auspices of CAST’s MIT Sounding series, It Must Be Now!, led by Fred Harris, brings together three leading musicians to collectively compose a large-scale work for MIT musicians on the overall theme of racial justice.
A black and white photograph of Fabio Tavares (right) observing fellow performer Natalia deCampos (left) looking away from him, down to the left.
Natalia deCampos and Fabio Tavares perform in a workshop of Immense Joy/Hots. Credit: Ana Busto.

Immense Joy / H.o.t.S

Clarice Lispector’s brutal and tender exploration of what it truly means to be poor
Digital illustration of small human forms sitting on four black inflated oval tubes.
Rendering for See Us Seesaw Together. Credit: Ana Miljacki and the Critical Broadcasting Lab.

See Us Seesaw Together

Kinetic connection at a physical distance
Cords and equipment pour out of a broken wooden crate labeled "Hardcell"
Judith Barry, HA®DCELL, MoMA 1995

HA®DCELL

Exploring the life, death, and afterlife of technology
2023 Hearing Amazonia

Hearing Amazônia–The Responsibility of Existence

Exploring the plight of the natural world through Brazilian and Amazonian music
A musical score.
VALIS. Courtesy of Tod Machover.

VALIS

Reimagining live performance interactivity for a new generation

Front Porch Collective

A black theatre company committed to advancing racial equity in Boston through theater
Lion's Jaw. Courtesy of the artists.

Lion’s Jaw

Creating an environment where risk, rigor, and rebellion can flourish through dance
  • Previous
  • Next

Footer Menu

  • Contact
  • Subscribe
  • Calendar
  • Donate
  • Accessibility

Footer Social Menu

  • Facebook
  • Flickr
  • Youtube
  • Soundcloud
  • Instagram
MIT