A partnership between ACT and MIT.nano, the class “Creating Art, Thinking Science” asks what it really takes to cultivate dialogue between disciplines MIT has a rich history of productive collaboration between the arts and the sciences, anchored by the … Continued
“I love reading science fiction,” says Nigel Shen, a first-year graduate student in Computational Science and Engineering and Mechanical Engineering. “But the science fiction I love the best is written by people who have a firm grasp on science. That … Continued
Kathryn Wysocki Gunsch, the museum’s deputy director, will serve as interim director until Gorman takes up his post this summer. MIT has appointed Michael John Gorman the Mark R. Epstein (Class of 1963) Director of the recently re-imagined MIT … Continued
“Making Art for Scientists: Materials, Processes, and Information Relay” Hannah Munguia Flores is a third-year student at MIT working on a double master’s degree in Aerospace Engineering and Technology and Policy. On most days she studies the carbon cycle, and … Continued
TeleAbsence by the Tangible Media research group Since the invention of the telegraph, humans have been able to communicate across great distances in real time. Today, we can choose among myriad technologies—radio, telephone, video conference platforms—to connect with colleagues … Continued
Arts, fashion, determination, and community culminate at an event by student-run Infinite Magazine A gallery of art by independent creators, creations from classes on campus, and a runway where MIT models strut, displaying designers’ work, were all showcased at MIT … Continued
Joshua Sariñana hopes that combining science, poetry, and photography can create new avenues for understanding and advocating for social justice. Joshua Sariñana (PhD ‘11) has always asked big questions. “I wanted to understand consciousness,” Sariñana says of studying neuroscience … Continued
Third Mellon grant brings the Mellon Foundation’s total support for CAST to $4,000,000 through 2024 “CAST was established in 2012 with a grant from the Andrew W. Mellon Foundation,” said Faculty Director Evan Ziporyn and Executive Director Leila Kinney,” and … Continued
“In our increasingly complex society, science and technology can no longer be segregated from their human and social consequences. The most difficult and complicated problems confronting our generation are in the field of the humanities and social sciences.” This declaration, … Continued
Every spring, the Cambridge Science Festival (CSF) makes science accessible, engaging and fun for everyone through multifaceted, multicultural events. In spring 2018, Arts at MIT created a list of of CSF events that taking place on the MIT campus. We … Continued
Adam Haar Horowitz, together with Agnes Cameron, Ishaan Grover, Tim Robertson, Owen Trueblood and Gary Zhang, worked with CAST Visiting Artist Agnieszka Kurant at the 2017 Hacking Arts Festival on a “signature hack,” a new feature of the festival that … Continued
Object Lesson is an ongoing blog series that highlights some of the art, artifacts, machines, devices, books, instruments and tools that give physical form to ideas that enhance the MIT campus and community. What is the Aerocene Explorer? The … Continued
The Signature Hack At the 2017 Hacking Arts Festival, MIT Center for Art, Science & Technology (CAST) Visiting Artist Agnieszka Kurant worked with a team of MIT graduate students and researchers to create a “signature hack,” a new feature of … Continued
Seth Riskin, SM ’89, came to MIT in 1986 to coach the women’s gymnastics team, before applying to the graduate program in Visual Studies at the Center for Advanced Visual Studies (CAVS), then under the direction of German artist Otto … Continued
The MIT Center for Art, Science & Technology (CAST) is pleased to announce the 2017-18 Visiting Artists in visual and computational arts: Pedro Reyes, B. Stephen Carpenter II, Agnieszka Kurant, Diemut Strebe, Karim Ben Khelifa, Newton Harrison, Jason Levine and … Continued
Twenty-two years ago Nicholas Negroponte, MIT Media Lab co-founder, predicted that “being digital” would lead to a future with fewer material constraints. “Being Material,” the MIT Center for Art, Science & Technology’s second biennial international symposium, used Negroponte’s Being Digital … Continued
The MIT Grad Arts Forum, a group that encourages artistic collaboration and intellectual discussions among MIT graduate students from different departments, invited the greater Boston community to the 8th Annual Graduate Arts Soirée on March 25, 2017. This event was … Continued
MIT’s Nicholas Negroponte predicted in 1995 that “being digital” would have us entering a realm increasingly unconstrained by the materiality of the world. Two decades later, our everyday lives are indeed ever more suffused by computation and calculation. But unwieldy … Continued
Creativity according to Mugaritz and MIT “When you take the off-road and not the well-traveled road, it is much more painful, but it is exciting and it is worth it, even knowing that I am going to fail by trying … Continued
The editors of Experience: Culture, Cognition, and the Common Sense, Caroline Jones, David Mather and Rebecca Uchill, describe the unusual material features, artistic interventions and intellectual provocations that make this book object something more than a typical codex. … Continued
The MIT Center for Art, Science & Technology (CAST) is pleased to announce the 2016-17 Visiting Artists in visual arts and writing: Pedro Reyes, Tomás Saraceno, Karim Ben Khelifa, Agnieszka Kurant and Christian Bök. From repurposed and reimagined weapons to … Continued
How underwater photography serves conservation efforts Coping with climate change is such a profoundly new part of the human experience that a new word, solastagia, has been coined to describe the emotional distress caused by violations against the planet. Underwater … Continued
“With Lodovica [Illari] and Bill [McKenna], we are trying to reimagine how human beings will navigate around the world,” says artist Tomás Saraceno, describing the lofty goal of his Aerocene project. These emission-free floating sculptures, made from silver and transparent … Continued
Bio is the New Interface Textile production historically has been a bellwether for innovations in manufacturing—from such technological improvements as the spinning jenny and the flying shuttle at the dawn of the industrial revolution to recent developments in electronic and … Continued
Tomás Saraceno: Arachnid Orchestra. Jam Sessions Arachnid Orchestra. Jam Sessions, on view from October 23, 2015 to December 20, 2015 at Nanyang Technological University Centre for Contemporary Art Singapore, is a new production by CAST Visiting Artist Tomás Saraceno that … Continued