The Center for Art, Science & Technology (CAST) supports the development of creative projects, artist residencies, cross-disciplinary classes and research that integrates the arts and has significant student engagement or impact on campus.
CAST offers several categories of funding for MIT faculty and principal or senior research staff from all departments, labs and centers. Two new types of grants were established in 2016, the Mellon Faculty Grant and the Fay Chandler Faculty Creativity Grant. In 2018, the International Exhibition and Performance Fund was introduced to defray the costs of a faculty member’s performance, exhibition, installation or other creative project that will appear by invitation in a major international venue.
For more information, contact castgrants@mit.edu
Azra Akšamija’s Lightweaver prototypes are playful kinetic lighting machines and educational devices developed in collaboration with artists, engineers and inventors from the Al Azraq refugee camp. The Lightweaver translates stories from textiles into a sensory play of light, aiming to preserve cultural memory and inspire hope.
2017 Mellon Fellow
Judith Barry creates Something in Mind, a new work and the centerpiece of a solo exhibition at HOME arts center in Manchester, England, opening in 2019. Something in Mind examines relationships between media types and audience habits. The work includes images of viewing spaces across time, including medieval monasteries, panoramas, virtual reality (VR), home video rentals and more, charting transformations in shared social spaces as they have evolved in relationship to audience habits.
2019 International Exhibition and Performance Fund
V. Michael Bove, Principal Research Scientist and head of the Object-Based Media Group at the MIT Media Lab, and David Levine, Harvard University Professor of the Practice of Performance, Theater and Media, will collaborate on Volumetric Cinema, a project that explores and investigates the possibilities of 360-degree 3D holographic cinema.
2018 Mellon Fellow
Charlotte Brathwaite’s Bee Boy is an interdisciplinary artistic response to the violent murders of black men and women around the country, to bee colony collapse disorder, to #Blacklivesmatter, to an unjust prison/industrial complex, to human-animal-technological hybridization, to life in urban streets, and the emotional toil it takes to turn hate to love. It is a meditation on struggle and change in a world of chaos.
2017 CAST Faculty Grant
Brandon Clifford and Ashley Fure, Dartmouth College Assistant Professor of Music, designed and fabricated megaphones to distribute the visceral power of sound to the far reaches of a concert hall in a project titled Filament: Megaphones at the New York Philharmonic.
2018 Fay Chandler Faculty Creativity Grant
Ian Condry‘s “Dissolve Music @ MIT” was a two-and-a-half-day conference, workshop and sound festival held on March 7-9, 2018. Combining art and scholarship in a spirit of experimentation, the conference aimed to dissolve boundaries between different arenas of sonic engagement to identify paths towards alternative, more inclusive futures.
2017 Mellon Fellow
Stephanie Frampton’s ARTificial Intelligence is a collaborative project between MIT and the Cambridge Public Library. The project is a multifaceted ongoing program fostering public dialogue about the emerging ethical and social implications of artificial intelligence (AI) through art and design. ARTificial Intelligence radically draws on the university and the public sphere as sites of critical engagement and embodies the spirit of public-facing scholarship.
2018 Fay Chandler Faculty Creativity Grant
Rania Ghosn’s Blue Marble Circus is a monument to industrial humanity’s plastic footprint, which—although at a planetary scale—remains outside our geographical imagination.
2017 Fay Chandler Faculty Creativity Grant
Mikael Jakobsson and his collaborators are designing a counter colonialist board game to establish networks for social impact through creative practices.
2018 Fay Chandler Faculty Creativity Grant
Anna Kohler’s Mytho? Lure of Wildness is a surround-sensorial theatrical experience/experiment, conceived and performed by MIT faculty member Anna Kohler and directed by lecturer Caleb Hammond. It is an experiment, a study of the beast within, of beauty and its transformation from young and fresh to old and worn, but not resigned.
2016 Fay Chandler Faculty Creativity Grant
Persona, a chamber opera based on Ingmar Bergman’s 1966 classic film, composed by Keeril Makan, with direction and libretto by Jay Scheib, previewed in a workshop performance at MIT on October 17, 2015.
The fully staged production premiered at National Sawdust in Brooklyn, NY on October 23-24, 2015. Persona starred soprano Amanda Crider, was produced by Beth Morrison Projects (BMP) and conducted by Evan Ziporyn.
2016 CAST Faculty Grant
Through a series of interventions including workshops and public lectures, Critical Broadcasting Lab performs as a curatorial entity at MIT and beyond. In a series of Agit Arch Experiments in fall 2018, Miljački and participants of Critical Broadcasting Lab investigate contemporary media and methods of broadcasting architectural discourse and criticism. The lab simultaneously conducts an oral history, presented in the form of an exhibition, about two forms of refusal by architects to engage—refusal to accept commissions and refusal to sue for copyright infringement.
2018 Mellon Fellow
Diversifying Space centers on two classes: STS.058 Space Exploration and Interplanetary Habitation (Boucher, spring 2019) and MAS.S64 Prototyping our Sci-Fi Space Future: designing & deploying projects for zero gravity flights (Paradiso, fall 2019), as well as a series of workshops and presentations by visiting artists. Topics range from parabolic flight research to the social impact of science and technology at an interplanetary level.
2018 Mellon Fellow
Pawan Sinha’s 9.S52/9.S916 Vision in Art and Neuroscience introduces students to core concepts in visual perception through the lenses of art and neuroscience. Students engage with these concepts through hands-on studio practice. The material has been selected both to expose students to the study of brain and cognitive sciences and to engage those already within the neuroscience community in art production as a means to explore and visualize the principles of perception.
2017 and 2018 Mellon Fellow
The Immortals, a work in progress by playwright Ken Urban, draws from the strange and troubling case of Henrietta Lacks, an African American woman whose “immortal” cancer cells (HeLa cells) continue to be used in biological research over 65 years after her death. The idea for The Immortals stems from interviews with scientists who work in biological research labs, exploring the issues surrounding HeLa cells and the acquiring of cellular material for research purposes.
Fay Chandler Faculty Creativity Grant
For the 2018 Venice Architecture Biennale, Gediminas and Nomeda Urbonas curate the Swamp Pavilion, which represents their native Lithuania. It is a networked effort to create new imaginary space for exercises in architectural and artistic practices, theory and pedagogy through events including public interventions, field trips, workshops, lectures, discussions, chat channels and printed publications.
2018 Mellon Fellow
J. Meejin Yoon’s FloatLab project is an educational platform to study and observe the transforming urban waterway and is sited within the Schuylkill River in Philadelphia. Professor Yoon leads an interdisciplinary team of researchers, engineers, and environmental scientists to explore how cities like Philadelphia are revitalizing their riverfronts and learning from urban river ecologies.
2017 Mellon Fellow