Golden City Album Cover. Courtesy of Miguel Zenón.
Music
KINETIC. Photo credit: Ben Doyle
Kinetic Ensemble
“Agile virtuosity and vibrant sound… brilliantly executed” — Arts and Culture Texas
Derek David. Photo Credit: Courtesy of the artist.
Di Fayerdike Libe – Passionate Love – די פֿײַערדיקע ליבע
Exploring modern love through Yiddish music and culture
Michael Mayo. Image credit: Lauren Desberg
Michael Mayo
Layers of heavenly harmonizing, hard-hitting beatboxing, and heartfelt crooning
Ekene Ijeoma, featuring Dr. Kristín Taylor, Dr. Bryan Stanley, Deconstructed Anthems: Nebraska 12 (2015)
2021.
Software-generated score, incarceration data, piano, machine-plotted ink drawings, duration 18:12 min. Installation view, Bemis Center for Contemporary Art, Omaha, NE, USA
Photo by Colin Conces courtesy of Bemis Center for Contemporary Art.
Deconstructed Anthems: Massachusetts
Sonifying the increasing loss of Black Americans to carceral systems
Portrait of Jordan Rudess. Photo credit KOBARU.PL
Jordan Rudess
Exploring the potential of AI in live collaborative musical performance
*Spider's Canvas / Arachnodrone*, Palais de Tokyo, 2018. Credit: Aurelie Cenno.
Arachnodrone
A three-dimensional spider web soundscape
One of the augmented-reality motifs in the new production of “Parsifal” at Bayreuth, directed by Jay Scheib. Credit: Bayreuth Festival
Parsifal
Augmenting Richard Wagner’s Bühnenweihfestspiel, Parsifal
Map courtesy of the Oklahoma Department of Transportation.
Native America: The Choctaw Music of Charles Shadle
Capturing contemporary classical music by a living Choctaw composer
Thrilling Adventures of Lovelace and Babbage
A punk-rock mentality breathes new life into a 350-year-old art form
The Hammer and the Feather is an immersive audio and visual installation, developed at MIT by technical instructor Christian Frederickson and visual artist and filmmaker Greg King. Bridging humanistic and scientific inquiry, the piece uses gravity as a poetic and conceptual departure point for musical, visual, and sonic material.
Photo by Danny Goldfield
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The Hammer and the Feather
Exploring the sonic poetry of gravity
Sean Jones, Jazz at the Bistro. Courtesy of the artist.
Sean Jones
Under the auspices of CAST’s MIT Sounding series, It Must Be Now!, led by Fred Harris, brings together three leading musicians to collectively compose a large-scale work for MIT musicians on the overall theme of racial justice.
Braxton Cook. Credit Tom Van Scoyoc.
Braxton Cook
Under the auspices of CAST’s MIT Sounding series, It Must Be Now!, led by Fred Harris, brings together three leading musicians to collectively compose a large-scale work for MIT musicians on the overall theme of racial justice.
Terri Lyne Carrington. Credit: Jacobs.
Terri Lyne Carrington
Under the auspices of CAST’s MIT Sounding series, It Must Be Now!, led by Fred Harris, brings together three leading musicians to collectively compose a large-scale work for MIT musicians on the overall theme of racial justice.
2023 Hearing Amazonia
Hearing Amazônia–The Responsibility of Existence
Exploring the plight of the natural world through Brazilian and Amazonian music
VALIS. Courtesy of Tod Machover.
VALIS
Reimagining live performance interactivity for a new generation
Songs from Extrasolar Spaces featuring Boston's Lorelei Ensemble, 2019.
Elena Ruehr’s Songs from Extrasolar Spaces
Translating the cosmos into music
CAST Visiting Artist Billy Novick performs in The Great Clarinet Summit. Credit: Sham Sthankiya/MIT.
Billy Novick
"Sincerity... elegance... a lovely celebration of tunefulness" — Downbeat
David Bowie's Blackstar performed by Maya Beiser with the Ambient Orchestra, 2017.
2018-19 MIT Sounding
Contemporary music with a global cast
The 2018–19 season of the innovative annual performance series MIT Sounding continues to blur musical boundaries. Curated by Evan Ziporyn, faculty director of the MIT Center for Art, Science & Technology (CAST), this season of MIT Sounding presents unique artists who push the envelope of their respective genres, creating new evolving music for the 21st century.
Anat Cohen. Credit Shervin Lainez.