In his creative experiments, Trimpin engages the visual, spatial, and kinetic properties of sound to “play instruments in such a way that no matter how complex the composition of the timing, it can be pushed over the limits.”
In composing, Tristan Perich opens up the sound-making possibilities of the raw machinery itself, always “getting one step closer to the flow of electricity through the microchip.
Fueled by a love of rhythm, Hauschka’s (Volker Bertelmann) classicist training, chamber music sensibilities and pop cultural interests all come together to create playful, unpredictable and inventive music.
Adventurous jazz pianist Jason Moran presents an improvisation of music, sound, movement and video with longtime collaborator, MIT professor and performance art icon Joan Jonas.
Working at the nexus of music composition, video games, performance, sound installation, and digital art, Ben Houge explores the sonification of real-time data with MIT researchers.
In his installations, live performances and publications, Florian Hecker’s psychoacoustic experimentations dramatize perceptions of sound and space in an immersive intensity.